A Quote by Jean Paul Gaultier

I could say that making clothes is my way of communicating, because I was always so shy. — © Jean Paul Gaultier
I could say that making clothes is my way of communicating, because I was always so shy.
It seems like a contradiction, but the shy person who is a performer actually does make sense, because in a way, when you're young and shy, making people laugh is a good way to make friends. It's an instant connection.
Eleanor Roosevelt was painfully shy, painfully shy. So she overcompensated. In the same way that Nancy Reagan felt unattractive and unlovable and so everything had to be - hair had to be perfect, and the makeup and the clothes. Because she thought, "They don't think I'm pretty."
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
I've always had my own access to the public, because I started off making my clothes for a little shop, and so I've always had people buying them. I could always sell a few, even if I couldn't sell a lot, and somehow my business grew because people happened to like it. I'm in a fortunate position.
I don't like to start anything, ever, but if they're going to try to intimidate me, I like to just stand there and say, 'Sorry, it ain't gonna happen.' I'm shy but I'm badass. I'm not shy in a timid way, just shy in a way that I'm not comfortable with people.
I got into songwriting because I'm not very good at communicating sometimes, just my true words, so music was always my way of expressing myself and being able to put things into lyrics that I couldn't say necessarily in my everyday life.
I started writing books and making clothes for my dolls when I was around 10 as a way of making my reality exciting. When I went out to play with friends, I always arranged elaborate sets and costumes.
Clothes are like a suit of armour when you're young. I was quite a shy teen, so I wanted to make aggressive statements with the way I looked. I'd say my goth/indie stage was the worst: there was a lot of experimentation involving pink food dye in my fringe.
I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware.
I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.
Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie.
I'm a student of Eric Church, and I say that a lot... I was drawn to it because of the honesty and because it's got rough edges on it. He doesn't shy away from anything, and that's the way I wanted to be.
Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.
I was a shy little kid, and getting up in front of people and making them laugh and being able to carry on a dialogue rather than a monologue was something that was pretty interesting to me because you could set yourself up - you could ask a question and then answer it.
It was lonely on the hill, and cold. And all you could do was keep going. You could scream, cry, and stamp your feet, but apart from making you feel warmer, it wouldn’t do any good. You could say it was unfair, and that was true, but the universe didn’t care because it didn’t know what “fair” meant. That was the big problem about being a witch. It was up to you. It was always up to you.
It was my idea that if you started any kind of business, you should begin somewhere near where you hoped to end. In other words, if I wanted to make really good clothes to order, I would start out making good, and therefore expensive, clothes to order. If I started making inexpensive clothes, I thought probably I'd die making them.
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