A Quote by Jean-Paul Sartre

One of the chief motives of artistic creation is certainly the need of feeling that we are essential in relationship to the world. — © Jean-Paul Sartre
One of the chief motives of artistic creation is certainly the need of feeling that we are essential in relationship to the world.
The essential in artistic creativity is victory over the burden of necessity. In art, man lives outside himself, outside his burdens, the burdens of life. Every creative artistic act is a partial transfiguration of life. In the artistic concept man breaks out through the heaviness of the world. In the creative-artistic attitude towards this world we catch a glimpse of another world.
Anxiety is the essential condition of intellectual and artistic creation and everything that is finest in human history.
Why pray? Evidently, God likes to be asked. God certainly does not need our wisdom or our knowledge, nor even the information contained in our prayers ("your Father knows what you need before you ask him"). But by inviting us into the partnership of creation, God also invites us into relationship. God is love, said the apostle John. God does not merely have love or feel love. God is love and cannot not love. As such, God yearns for relationship with the creatures made in his image.
No relationship is without its difficulties and this is certainly true when one or both of the persons involved has an autistic spectrum disorder. Even so, I believe what is truly essential to the success of any relationship is not so much compatibility, but love. When you love someone, virtually anything is possible.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
Artistic creation is a demand for unity and a rejection of the world.
I was a breed of people who aren't capable of doing anything, really. At college I began to get the idea that being macho wasn't the accepted norm in the liberal world, and especially the world I entered into, which was the artistic world. I had a lot of problems with that because I was struggling with the need to be proud of being a man, which wasn't something I was feeling.
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
Feel the feeling as though the prayer has already been answered, and in that feeling we are speaking to the Forces of Creation, allowing the world to respond to us.
Our age is one in which usefulness is thought to be the chief merit of nature; in which the attainment of power, the utilization of its resources is taken to be the chief purpose of man in God's creation. Man has indeed become primarily a tool-making animal, and the world is now a gigantic tool box for the satisfaction of his needs.
Distrust brings frustration and fear. So therefore, the lonely feeling automatically come. So, lonely feeling is not creation of environment, but creation of your own mental attitude.
To understand the limits and opportunities of algorithms in the context of artistic creation, we need to understand that the latter usually consists of three elements: discovery, production, and recommendation.
Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.
The vanity of being known to be trusted with a secret is generally one of the chief motives to disclose it.
... the world of nature is by no means absent from the eschatological program set out in the NT. While rarely rising to the level of an explicit emphasis, and never the chief concern in and of itself, the world of nature is an integral component of God's new creation work.
We need to think about what cooking is, what context it takes place in and what its relationship to the world of art is. If there were criticisms of my presence at Documenta, that's a good thing because it means we were doing something new. Your mission in creating something artistic is to produce something new and polemical.
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