A Quote by Jean-Paul Sartre

I'd come to realize that all our troubles spring from our failure to use plain, clear-cut language. — © Jean-Paul Sartre
I'd come to realize that all our troubles spring from our failure to use plain, clear-cut language.
I see now more clearly than ever before that even our greatest troubles spring from something that is [as] admirable and sound as it is dangerous – from our impatience to better the lot of our fellows.
We envy those whose possessions or achievements are a reflection on our own. They are our neighbors and equals. It is they, above all who make plain the nature of our failure.
RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of. The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms - the dash gives the reader the clear signal they are coming.
Now the point of comedy is not just looking funny, it's use of language. We have at our disposal a great language... and the imaginative, creative use of that language can be at the service of humour.
I sing only in Meronian - my own language - but there are also elements of English and Finnish languages in our songs. When we use the spiritual Meronian language, the word 'international' doesn't do justice to our band. This kind of psychic language's means of communication can reach galaxies beyond our planet, not to mention the other living and inanimate entities of our own planet.
A word about 'plain English.' The phrase certainly shouldn't connote drab and dreary language. Actually, plain English is typically quite interesting to read. It's robust and direct-the opposite of gaudy, pretentious language. You achieve plain English when you use the simplest, most straightforward way of expressing an idea. You can still choose interesting words. But you'll avoid fancy ones that have everyday replacements meaning precisely the same thing.
When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.
The use of language around drugs is really important. So we find that it's increasingly difficult in our society to find the word "drug" not connected to the word "abuse." The notion of a responsible use of drugs is written out in the language of our culture.
Failure is not fatal. Failure should be our teacher, not our undertaker. It should challenge us to new heights of accomplishments, not pull us to new depths of despair. From honest failure can come valuable experience.
America is not a nation of separation. All our citizens are Americans. The common denominator is our language. Our language is English. The glue that binds generation after generation is both our Constitution and our English language.
The physicist may be satisfied when he has the mathematical scheme and knows how to use for the interpretation of the experiments. But he has to speak about his results also to non-physicists who will not be satisfied unless some explanation is given in plain language. Even for the physicist the description in plain language will be the criterion of the degree of understanding that has been reached.
There is no doubt about it: we are judged by our language as much as (perhaps more than) we are judged by our appearance, our choice of associates, our behavior. Language communicates so much more than ideas; it reveals our intelligence, our knowledge of a topic, our creativity, our ability to think, our self-confidence, et cetera.
We're trying to be very careful and precise in our use of language, because I think the language we use and the images we project really do have resonance. It's the reason why I don't use the term jihadist to refer to terrorists. It gives them the religious legitimacy they so desperately seek, but I ain't gonna give it to them.
Spring is about to spring. Persephone is coming back and the ice is groaning, about to break with the exquisite and deafening roar. It's a time for madness; a time for our fangs to come down and our eyes to glaze over so that the beast in us can sing with unmitigated joy. Oh yes, ecstasy, I welcome thee!
All of our media is made of language: our films, our music, our images, and of course our words. How different this is from analog production, where, if you were somehow able to peel back the emulsion from, say, a photograph, you wouldn't find a speck of language lurking below the surface.
O thou with dewy locks, who lookest down Thro' the clear windows of the morning, turn Thine angel eyes upon our western isle, Which in full choir hails thy approach, O Spring! The hills tell each other, and the listening Valleys hear; all our longing eyes are turned Up to thy bright pavilions: issue forth, And let thy holy feet visit our clime. Come o'er the eastern hills, and let our winds Kiss thy perfumed garments; let us taste Thy morn and evening breath; scatter thy pearls Upon our love-sick land that mourns for thee.
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