A Quote by Jean-Paul Sartre

I think [Alain Robbe-Grillet] a good writer, but he speaks to the comfortable bourgeoisie. — © Jean-Paul Sartre
I think [Alain Robbe-Grillet] a good writer, but he speaks to the comfortable bourgeoisie.
Do you think I can read [Alain] Robbe-Grillet in an underdeveloped country? He does not feel himself maimed.
I should wish [Alain Robbe-Grillet] to realize that Guinea exists.
Vain Art of the Fugue was the only one of my novels to be met with relative public recognition: it was nominated for the Prix Médicis by Alain Robbe-Grillet. Milan Kundera pocketed the prize instead and the public never clamored to buy it.
As if channeling Robbe-Grillet, who strove to establish 'new relations between man and the world,' Sesshu Foster's electrifying prose poems tenderly examine then fiercely weave stark-and-broken realities into luminous dream-like narratives on the game of life.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, culture. It's an old ploy of the bourgeoisie. They keep a standing art to defend their collapsing culture.
Marx's Kapital is not a treatise on socialism; it is a gerrymand against the bourgeoisie. It was supposed to be written for the working class, but the working man respects the bourgeoisie and wants to be a bourgeoisie. Marx never got a hold of him for a moment. It was the revolting sons of the bourgeoisie itself, like myself, that painted the flag red. The middle and upper classes are the revolutionary element in society. The proletariat is the conservative element.
The most important man in my life is and always will be Alain Delon. He is always there when I need a shoulder to cry on… even today Alain is the only man I can count on. He would always help me. Only Alain shaped me as a woman. Even though he hurt me a lot when he left me I also matured because of it.
I was really bored, pretty antisocial, and not much of a joiner, and people thought that was a problem. I hated high school. In a way, it was good... I think, for a writer, it's good to be comfortable with being on the outside.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, 'culture.'
The leaders of the petty bourgeoisie must teach the people to trust the bourgeoisie. The proletarians must teach the people to distrust the bourgeoisie.
Be comfortable. I think if you're comfortable, you exude confidence, and that leads to good style.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
I think the writer makes a good story good or a good story bad. The writer has a great deal of responsibility.
Seattle was good for me. I was very comfortable there - not comfortable in terms of it was too easy, but I was at home, I was with my family and friends. It was a great life. I was home. But I think, for me, when I get too comfortable with the lifestyle and everything, I feel that my performances, my focus can go down.
I don't think I'm a brilliant writer, but I'm a good writer, and it's just so empowering to get involved.
A writer either speaks to adults and bores kids, or speaks to kids and upsets adults.
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