A Quote by Jean-Paul Sartre
The way, applicable in our non-revolutionary societies, to prepare for the time when everyone will read, is to pose problems in the most radical and intransigent manner. This is what Alain Badiou has just done in Almagestes, where he puts language on trial with an intention
of cleansing, of catharsis.
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It has always been my thought that the most important single ingredient to success in athletics or life is discipline. I have many times felt that this word is the most ill-defined in all of our language. My definition isas follows: 1. Do what has to be done; 2. When it has to be done; 3. As well as it can be done; and 4. Do it it that way all the time.
Revolutionary politics, revolutionary art, and oh, the revolutionary mind, is the dullest thing on earth. When we open a revolutionary review, or read a revolutionary speech, we yawn our heads off. It is true, there is nothing else. Everything is correctly, monotonously, dishearteningly revolutionary. What a stupid word! What a stale fuss!
In this time of challenge, I am asking the prime minister to address Congress on the grave threats radical Islam and Iran pose to our security and way of life.
An ear will never do you wrong, but I know writers who... most of the language they use is just extracted language from other languages they've read. I am a big-time reader, but I mix and match.
I do not pose my sitters. I do not deliberate and then concoct... Before painting, when I talk to the person, they unconsciously assume their most characteristic pose, which in a way involves all their character and social standing - what the world has done to them and their retaliation.
The most important man in my life is and always will be Alain Delon. He is always there when I need a shoulder to cry on… even today Alain is the only man I can count on. He would always help me. Only Alain shaped me as a woman. Even though he hurt me a lot when he left me I also matured because of it.
The most radical revolutionary will become a conservative the day after the revolution.
The intention that naturally exists: 'My intention is to get done with this commute.' So I've just doomed myself to an hour of discomfort, because my intention will not be met until I get out of the car.
Everyone knows ladies love Cajuns. It's in our blood and our language is the language of romance." "Your language is the language of bullshit. You're just a couple of good ole boys with pretty faces. Women just ought to know better.
By the end, everybody had a label - pig, liberal, radical, revolutionary... If you had everything but a gun, you were a radical but not a revolutionary.
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
With our educated workforce, our language as the international language of commerce, we are ideally geographically located to prepare for success. Following Brexit, we will have the tools at our disposal to take advantage of these attributes, and to benefit from the new opportunities that are emerging around the world.
Catharsis is about cleansing and healing at one and the same time - healing memories and attitudes, healing the spirit and the heart.
You cannot know if you will be successful or not. You can only prepare for battle and it must be done with all of your heart and with all of your consciousness. In that manner, you will have an edge.
The most likely way to kill a tradition is to over-formalize it, which is to carry it on in the same way after everyone has ceased to defer to it. The way to revive it is to show that it has grown out of and is still related to our most cherished values. But this requires radical insight and the stripping away of many things which are mere accretions.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
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