A Quote by Jean-Paul Sartre

Ah! yes, I know: those who see me rarely trust my word: I must look too intelligent to keep it. — © Jean-Paul Sartre
Ah! yes, I know: those who see me rarely trust my word: I must look too intelligent to keep it.
I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me.
Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads. (from “Mysteries, Yes”)
I start to see that I surround myself with broken people; more broken than me. Ah, yes, let me count your cracks. Let's see, one hundred, two... yes, you'll do nicely. A cracked companion makes me look more whole, gives me something outside myself to care for. When I'm with whole, healed people I feel my own cracks, the shatters, the insanities of dislocation in myself.
I rarely let the word NO escape from my mouth, because it is so plain to my soul that God has shouted, Yes! Yes! Yes! To every luminous movement in existence.
The Russians are liars - you can't trust them. At Potsdam they agreed to everything and broke their word. It's too bad the second world power is like this, but that's the way it is, and we must keep our strength.
You can trust me to keep my word. I always keep my word, promises or threats.
As a footballer, I have always found it better not to be too emotional. Better to be cool, consistent, clinical. Celebrate goals, yes, but keep your feelings for those you trust most.
Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.
...our market system depends critically on trust-trust in the word of our colleagues and trust in the word of those with whom we do business.
It is part of the photographer's job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
And I know, that I know, that I know, we are about to see the greatest manifestations of God's presence ever! A prophetess named Ruth Heflin sent me a word recently and told me to get ready, to see, physical manifestations of Christ on the platforms in our crusades, that people will have visions of the Lord in the meetings. Those things have happened in the past, I know. In a Thialagua (spelling?) meeting one time in Africa, the Lord appeared to a - to the whole crowd! It is about to begin happening, I know it too! Expect it, to happen also, in your own home!
For years I study. I look long at olive trees, all gray and silver, and watch the sunlight. Ah, yes, I am ver' lazy, but I see after I look long that it is perspective that give it this quality. Perspective, and absolute faith to the subject.
Accountability is the essence of democracy. If people do not know what their government is doing, they cannot be truly self-governing. The national security state assumes the government secrets are too important to be shared, that only those in the know can see classified information, that only the president has all the facts, that we must simply trust that our rulers of acting in our interest.
Now that I'm older and wiser, and I know what that word means and what it possesses... I'm like, 'Yes, I am a mahu and you should look up to me!'
The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
When I was working with Tom Ford, he would just look at me and ask, 'Will you wear it?' I'd say, 'Ah, too long, too short, lower waist, deeper V, unbutton' - that sort of thing. I don't create clothes, but I definitely know how to make them come alive.
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