A Quote by Jean-Pierre Melville
It's the honest point of view of an artist: You have to please.I'd like viewers to come away from my films unsure whether they've understood them. I want to leave them wondering.
Related Quotes
If I'm collaborating with an artist I like to give them my point of view and if they don't want to take any of my recommendations it's fine, but it's hard otherwise.
The root of honesty is an honest intention, the distinct and deliberate purpose to be true, to handle facts as they are, and not as we wish them to be. Facts lend themselves to manipulation. Many a butcher's hand is worth more than its weight in gold. What we want things to be, we come to see them to be; and the tailor pulls the coat and the truth into a perfect fit from his point of view.
In my mind I first felt like, Oh, I'll be back to work right after the babies are born. But then you don't want to. Even now, it's very difficult for me to leave them in the morning. It just tortures me. I'm like, It's been hours; are they wondering where I am? Do they know that I love them so much and I'm thinking only about them?
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
I think my viewers want smart, honest programming. They don't want to be told what makes them feel good.
Young people, our rights and the things we care about, have been taken away because it doesn't really matter to the politicians whether or not we have them. We're just another demographic to try and please, but there's no point if we aren't voting.
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
I feel like few things are more successful at portraying honest emotions/experiences. There also just seems to be a certain feeling/mood that I respond well to. I feel similarly about the artist Kahimi Karie and the films "An Education" and "Marie Antoinette." Anything with a strongly and unapologetically feminine point of view I tend to be interested in.
I'm very honest - brutally honest. I always look at things from their point of view as well as mine. And I know when to walk away.
From the boys' point of view, scouting puts them into fraternity-gangs, which is their natural organisation, whether for games, mischief, or loafing; it gives them a smart dress and equipments; it appeals to their imagination and romance; and it engages them in an active, open-air life.
Viewers don't want you to walk the fence - they do want a point of view - and that's what we bring.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
Very few movies remain in public memory as landmark films and I want to see whether 3 Idiots will be up there with some of the wonderful films that have come out of this country...Hopefully, we'll come to know in a few years whether it can become one of the great films.
Related Authors
Alex Prager Quotes
American
Filmmaker
Ari Marcopoulos Quotes
American
Filmmaker
Astra Taylor Quotes
American
Filmmaker
Avi Lewis Quotes
Canadian
Filmmaker
David Gordon Green Quotes
American
Filmmaker
Gregory Colbert Quotes
Canadian
Filmmaker
Haile Gerima Quotes
Ethiopian
Filmmaker
Joe Berlinger Quotes
American
Filmmaker
Kalle Lasn Quotes
Canadian
Filmmaker
Kim Longinotto Quotes
British
Filmmaker
Mary Harron Quotes
Canadian
Filmmaker
Michael Winterbottom Quotes
English
Filmmaker
Pamela Yates Quotes
American
Filmmaker
Warren Miller Quotes
American
Filmmaker
