A Quote by Jean Pigozzi

It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important. — © Jean Pigozzi
It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.
I usually keep my personal style simple and streamlined. I like classic colors like black, white, and beige. White and black is my favorite color combination, and I like to finish up my look with an accent of gold jewelry.
Before me, everything was black or navy blue or gray or brown or beige, things like that, for daytime. I began using shocking pink and ice blue and all kinds of bright colors. And I dyed furs.
My favorite colors come from the shades of local earth. Dig in the ground and you'll find so many layers of color-amazing yellows, sand, browns, black, beige.
I don't see myself a Great Black Hope. I'm just a golfer who happens to be black and Asian. It doesn't matter whether they're white, black, brown or green.
I hate when bands make beige, middle-of-the-road music. I guess you can say 'Lonerism' is the war on beige music.
If I describe a person's physical appearance in my writing, which I often do, especially in fiction, I never say someone is "black" or "white." I may describe the color of their skin - black eyes, beige skin, blue eyes, dark skin, etc. But I'm not talking about race.
I always wear beige, black or white. For one thing I look good in them. For another, when I'm beside a star at a fitting, and she looks into the mirror, I don't want to be competing in any way.
I always wear beige, black or white. For one thing I look good in them. For another, when I'm beside a star at a fitting, and she looks into the mirror, I don't want to be competing in any way.
Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
I want to wear colours that cheer people. Forget all this navy and beige and black.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
Black, white, yellow, brown - we wanted somebody who would do right by us. And I think because Obama was that person, whether he was black or white, he was chosen
Beige curtains... there's nothing wrong with them. You're not like, 'Ew, gross! Beige curtains!' You just don't notice them either way. They're just, like, fine.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.
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