A Quote by Jean Plaidy
When I was 14 and living in London, I'd go around Hampton Court Palace with its marvelous atmosphere, through the gateway where Ann Boleyn walked, the haunted gallery down which Katherine Howard ran. It all set me going. It all started from there.
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My own office life at Hampton Court is somewhat challenging food-wise. It's miles from anywhere, off the Chapel Court, deep inside the palace, up a spiral staircase of 51 steps. You can't just nip out for a sandwich.
I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
We're all going to go crazy, living this epidemic [AIDS] every minute, while the rest of the world goes on out there, all around us, as if nothing is happening, going on with their own lives and not knowing what it's like, what we're going through. We're living through war, but where they're living it's peacetime, and we're all in the same country.
[On John Tunnard:] One day a marvelous man in a highly elaborate tweed coat walked into the gallery. He looked a little like Groucho Marx. He was as animated as a jazz-band leader, which he turned out to be. He showed us his gouaches, which were as musical as Kandinsky's, as delicate as Klee's, and as gay as Miró's.
My earliest childhood memory is of my father going crazy when the Giants won the World Series in 1954. He started whoopin' and hollerin' and jumpin' up and down all around the living room. I started crying because he scared me to death.
I had been going around to everybody saying Katherine Heigl has to be 'Stephanie Plum', and then one day, I got that phone call saying that it was Katherine.
Today I walked on the lion-coloured hills with only cypresses for company, until the sunset caught me, turned the brush to copper set the clouds to one great roof of flame above the earth, so that I walk through fire, beneath fire, and all in beauty. Being alone I could not be alone, but felt (closer than flesh) the presence of those who once had burned in such transfigurations. My happiness ran through the centuries in one continual brightness. Looking down, I saw the earth beneath me like a rose petaled with mountains, fragrant with deep peace.
When I first came in the business, I had a couple of close calls on planes going to London for shows. There was one time where the plane had to fly around until a storm ended, and then we started having a question about fuel, so we had to go through the storm. It was the worst thing that ever happened in my life. That really messed me up.
Learning was never structured for me. I started playing when I was two. I would go to the gym with my dad who played regularly. I 'd get on the court and play when he would go for a drink of water or something. When I was four they shaved down the grip on a racquet so I could hold it. I can't even tell you why I loved being on the court, I just knew I enjoyed it. It was always about sports for me.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
Star Trek' always had a pretty serious atmosphere, but with 'Twin Peaks,' you walked onto the set and you had the feeling that everybody was walking around in a trance.
I wanted to cut past the polemics and experience London's Muslim communities for myself. My first visit was to Tower Hamlets, an East London borough that is about 38% Muslim, among the highest in the U.K. As I walked down Whitechapel Road, the adhan, or call to prayer, echoed through the neighborhood.
I felt I was immortal. I was invincible. I've made so many plays where guys go down, and I walked up clean from it. I did feel that nothing bad could ever happen to me on the court.
I didn't have a lot of friends. I just walked around a lot and made up stories in my head. Then I'd go home and write them down. That's how I got started.
I was 14 when I started modeling. At the end of that first day my mum said, If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.
I was 14 when I started modeling. At the end of that first day my mum said, 'If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.'
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