A Quote by Jean Plaidy
Happiness don't ask to see who you be afore her sits down at your table. 'Er comes and sits with them as know how to welcome her and keep her the willing guest.
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I. At Tea THE kettle descants in a cosy drone, And the young wife looks in her husband's face, And then in her guest's, and shows in her own Her sense that she fills an envied place; And the visiting lady is all abloom, And says there was never so sweet a room. And the happy young housewife does not know That the woman beside her was his first choice, Till the fates ordained it could not be so.... Betraying nothing in look or voice The guest sits smiling and sips her tea, And he throws her a stray glance yearningly.
Here is a little mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God, and the body in which it dwells is worth all it will cost, since it is abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all. Yes, my precious baby, you are welcome to your mothers heart, welcome to her time, her strength, her health, to her most tender cares, to her life-long prayers! Oh how rich I am, how truly, how wondrously blest!
Good God enlighten us! Which of these two belongs to the sterner sex - the man who sits in Whitehall all his life on a comfortable salary, or the woman who has to keep her teeth bared lest she has her meatless bone of 17s. 4d. a week snatched away from her and who has to produce the next generation on her off-days?
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
I sit at a table close to his desk. Ivy is in this class. She sits by the door. I keep staring at her, trying to make her look at me. That happens in movies - people can feel it when oother people stare at them and they just have to turn around and say something. Either Ivy has a great force field, or my lazer vision isn't very strong.
I would welcome a friendship with Lynne Hinton. I would welcome an invitation to sit down at her table, but mostly I would welcome her next book.
Sometimes she goes out to work as a practical nurse, and comes home and sits by the kitchen table soaking her feet in a pan of hot water and Epsom salts. When she gets into bed and the springs creak under her weight, she groans with the pleasure of lying stretched out on an object that understands her so well.
Sarah [Silverman] writes her own jokes. She doesn't just go through her life and talk about everything. She sits down and crafts jokes. Sometimes her inspiration comes from areas of her life that are risqué. But she is an A-plus professional joke-writer in addition to being very attractive and a great performer.
I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said that you can safely assume you’ve created God in your own image when it turns out that God hates all the same people you do.)
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.
How do you fight someone smarter than yourself?' Rand Whispered. 'The answer is simple. You make her think that you are sitting down across the table from her, ready to play her game. Then you punch her in the face as hard as you can.
To see her is a picture- To hear her is a tune- To know her an Intemperance As innocent as June- To know her not-Affliction- To own her for a Friend A warmth as near as if the the Sun Were shining in your Hand.
In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.
You’ll know her more by your questions than by her answers. Keep looking at her long enough. One day you might see someone you know.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
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