A Quote by Jean Plaidy

People always grumbled. If things went well they wanted them to go better. Give them comfort and they wanted luxuries. — © Jean Plaidy
People always grumbled. If things went well they wanted them to go better. Give them comfort and they wanted luxuries.
I've always wanted to help build a better society and build a better company, and I always wanted a healthy, vibrant company, a healthy, vibrant society. We take care of our people, we provide them with opportunity. But I've always believed business is here to serve your clients, your shareholders, your communities. If we do this well, everyone benefits. We have to do a good job for all of them.
When I was 5 or 6 years old, I never wanted toys; I wanted electrical parts so I could build things. And I was better at taking things apart and putting them back together, but I always had extra pieces left over, so I think it was an early warning that I was a better designer than an engineer.
In the end, more than freedom, they wanted security. They wanted a comfortable life, and they lost it all – security, comfort, and freedom. When the Athenians finally wanted not to give to society but for society to give to them, when the freedom they wished for most was freedom from responsibility, then Athens ceased to be free and was never free again.
But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
I always wanted to be a renaissance woman, do as many things as I possibly can and hopefully do them well or don't do them at all.
'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.
[M]ore than they wanted freedom, the Athenians wanted security. Yet they lost everything-security, comfort, and freedom. This was because they wanted not to give to society, but for society to give to them. The freedom they were seeking was freedom from responsibility. It is no wonder, then, that they ceased to be free. In the modern world, we should recall the Athenians' dire fate whenever we confront demands for increased state paternalism.
One of my constant reminders was, "End practice on a happy note." I wanted the boys to want to come out to practice, and I wanted them to get a certain amount of pleasure out of basketball. It's a game. It should be fun. So I always tried to counterbalance any criticism in practice with a bit of praise. I wanted my players to feel that the worst punishment I could give them was to deny them the privilege of practicing. If they did not want to practice, I did not want them there.
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these people in a place where they would be inviolate. It wasn't enough to have a still life of them. I wanted to surround them with the lives they led.
I always liked acting in school and drama classes, but when people asked me what I wanted to be when I grew up, I always told them I wanted to be a singer. I didn't want to be a jack of all trades. I wanted to master one.
I never wanted to take autographs, always wanted to give them. To do this, you have to achieve something.
It was easier when all we wanted to do was eat them and take their stuff,” he grumbled. And it had been easier when he hadn’t cared if he made any of them cry.
These are people who wanted to provide for their family and wanted a better life. We've got to have a secure border. But we've also, we've got to act compassionately and recognize labor markets as well. ... I've never thought that it's [path to citizenship] a bad thing. If somebody is going to be here for 20, 30 years, to give them some skin in the game, if you will, to hold out the prospect of citizenship.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
This site uses cookies to ensure you get the best experience. More info...
Got it!