A Quote by Jean Plaidy

We spent the first night of our honeymoon in a country hotel, with Tudor architecture oak beams, and floors which sloped, of the Queen-Elizabeth-Slept-Here variety. There were old tennis-courts - the Tudor kind where Henry VIII was said to have played; and gardens filled with winter heather, jasmine and yellow chrysanthemums. [...] So that first night together was spent in the ancient bedroom with the tiny leaded paned windows, through which shafts of moonlight touched the room with a dreamlike radiance [...]
Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.
Most of the version of Tudor history we know is through the eyes of Henry VIII.
I was born and spent my first five years in Chester, an ancient city that retains some of its Roman walls and fortifications and contains a great medieval cathedral, as well as Tudor, Stuart and early 19th century architecture. Visiting these things was free, and my parents - who had little money - made the most of this.
We are not telling Tudor history; we are creating ' Wolf Hall ' from novels, which are already a rereading of Tudor history.
There was an open mic night when I was about 11 years old and I went and I played the songs that I'd written in my bedroom and it was the first night where I felt like I was myself at school.
My childhood bedroom - if childhood could be about ten years old - had a bed which was under windows which faced north. At about age 10, I started watching the stars just move through the night.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
Cruel and paradoxical though it undoubtedly is, the record shows that yje most succesful 20th century monarchs have been those who were not actually born to succeed. King George VI was 41 when the abdication of Edward VIII propelled him suddenly and unexpectedly to take up the crown; and Queen Elizabeth II spent her first decade with no inkling thay she herself might one day have to reign. Taken together, these examples suggest that the best preparation for the job of sovereign is not to be prepared for it at all, ir not to be too well prepared for it, or for too long.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
I think about the kinds of gardens that Queen Elizabeth put up. She made gardens in the shape of an "E," for Elizabeth, just one more way in which she used symbolism to solidify her reign: appearing as the Virgin Queen, for example, or wearing a dress embroidered with eyes and ears to indicate that she knew all that was going on in her castle; she had spies.
I wanted to restore an ancient house in Kent, and that's what I did. It was a heap - this Tudor building with the beams painted lime green, so hideous. And I had this idea that I'd love the small village life, with the Range Rover and the dogs and baking cookies for the Y.W.C.A. But then it got so boring.
My honeymoon night was spent on the floor in the bathroom with my mother.
And to have spent the night sleeping and awoken regretful, is better than to have spent the night standing (in prayer) and awaken impressed with oneself!
I spent about five years stuck in a room between the ages of 16 and 20 while I wrote the first book, which came out when I was 21. I should have been out playing tennis.
We did a student-initiated project of 'A Little Night Music', which was the first time that all of the divisions - music, dance, drama, opera - came together and put on a piece. It was a black box kind of feel. We had to get costumes that were pieced together. We had our own lighting that we finagled.
I can't sleep the first night in a hotel room.
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