A Quote by Jean Rhys

The feeling of Sunday is the same everywhere, heavy, melancholy, standing still. — © Jean Rhys
The feeling of Sunday is the same everywhere, heavy, melancholy, standing still.
I don't like the Sunday newspapers - I read them because I have to. 'Sunday Times,' 'Telegraph,' 'Independent' on Sunday - I find them heavy and too much! I prefer 'The Economist.'
Don't you know I”m still standing better than I ever did. Looking like a true survivor, feeling like a little kid. I'm still standing after all this time.
I remember writing Sunday Morning' and Gwen wasn't feeling well that day and I had an acoustic guitar and I started singing, Somebody is feeling quite ill ' and that became Sunday Morning.'
They call it collective energy. It's that same feeling that you get when you meditate amongst a ton of people. What actually makes the festival feel so special is that while you're watching a band or an artist, you're standing there, kind of feeling the same feeling with so many people in such a small space and that gives you collective energy. It's that kind of strange feeling in which you almost feel people breathing.
Unfortunately, most of the major denominations still practice segregation in local churches, hospitals, schools, and other church institutions. It is appalling that the most segregated hour of Christian America is eleven o'clock on Sunday morning, the same hour when many are standing to sing: "In Christ There Is No East Nor West.
It is Sunday, mid-morning-Sunday in the living room, Sunday in the kitchen, Sunday in the woodshed, Sunday down the road in the village: I hear the bells, calling me to share God's grace.
You have an atmosphere at Tottenham like, 'Okay, we are not scared of anyone,' and we have the same feeling with the national team. Everywhere we go at Tottenham, we have a good feeling.
Gravity always sucks. It really, really does. It's a big challenge just re-adapting to feeling heavy again, you know? Even my arm feels heavy. My legs feel heavy.
That's the thing about driving: You're alone but you're everywhere. You're standing still but moving really fast. It's just like perspectives constantly changing.
To be still standing 20 years in this business is a great feeling, I can't even tell you.
Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.
For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me. If it was sad, the tone of mind which this induced was also sweet. Whatever it might be, my soul acquiesced in it.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
There's too much darkness in the world. Everywhere you turn, someone is tryin' to tear someone down in some way; everywhere you go, there's a feeling of inadequacy, or a feeling that you're not good enough. I want to bring a certain light to the world.
Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.
The reality is that SXSW is packed with brilliant entrepreneurs, investors and partners. They're everywhere, zipping back and forth like thousands of atoms. Your chances of colliding with one actually improve just by standing still.
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