A Quote by Jean Rhys

All of a writer that matters is in the book or books. It is idiotic to be curious about the person. — © Jean Rhys
All of a writer that matters is in the book or books. It is idiotic to be curious about the person.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
You’ve read the books?” “I’ve seen the movies.” Cath rolled her eyes so hard, it hurt. (Actually.) (Maybe because she was still on the edge of tears. On the edge, period.) “So you haven’t read the books.” “I’m not really a book person.” “That might be the most idiotic thing you’ve ever said to me
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
It's not about you, it's about the next person. The single best use of a business book is to help someone else. Sharing what you read, handing the book to a person who needs it... pushing those around you to get in sync and to take action-that's the main reason it's a book, not a video or a seminar. A book is a souvenir and a container and a motivator and an easily leveraged tool. Hoarding books makes them worth less, not more.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
If a person chooses not to be a writer, or speaker, then (by definition) the person is choosing not to be engaged in an effort,"to bring the truth about matters of human significance to an audience that can do something about them," apart, perhaps, from some circle of immediate associates.
I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
Curious Incident is not a book about asperger's....if anything it's a novel about difference, about being an outsider, about seeing the world in a surprising and revealing way. The book is not specifically about any specific disorder.
I feel lucky that I read so many books as a kid because I know that no matter how much I appreciate a book now, and I can love a book very much, it's never going to be that childhood passion for a book. There's some element, something special about the way they're reading books and experiencing books that's finite.
When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
'Get Skinny' is my sixth book. I look over the books that I've written, and my subject matters are varied, and I write books pertaining to that which I'm dealing with at the moment.
In the books I have written, I have created in my mind a universe. My kids say I have a village in my head and I live in that village, and it's true. When I start writing a book, characters from previous books reappear. All my emotions, my mind, my heart, my dreams, everything becomes connected with a new book, and nothing else really matters.
I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
As Hitler himself later enunciated, it matters not how idiotic the creed, what matters is the firmness with which it is enunciated.
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