A Quote by Jean Rhys

The rumble of the life outside was like the sound of the sea which was rising gradually around her. — © Jean Rhys
The rumble of the life outside was like the sound of the sea which was rising gradually around her.
She fell into a deep pool of sticky water, which eventually closed over her head. She saw nothing and heard nothing but a faint booming sound, which was the sound of the sea rolling over her head. While all her tormentors thought that she was dead, she was not dead, but curled up at the bottom of the sea.
There was a sound of revelry by night, And Belgium's capital had gathered then Her beauty and her chivalry, and bright The lamps shone o'er fair women and brave men. A thousand hearts beat happily; and when Music arose with its voluptuous swell, Soft eyes looked love to eyes which spake again, And all went merry as a marriage bell. But hush! hark! a deep sound strikes like a rising knell!
The great Muhammad Ali used to have that phrase where he would say: 'Rumble young man, rumble' and 'I'm so pretty I'm ready to rumble.' I kind of just fine tuned it to 'Let's get ready to rumble.'
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection.
I used to watch old clips of Muhammad Ali, where he'd be talking the jive during interviews, you know, 'Float like a butterfly, sting like a bee, rumble, man, rumble.'
As the river enters the sea and loses itself in the sea, so Krishnamurti has entered into that Life which is represented by some as The Christ, by others as The Buddha, by others still, as the Lord Maitreya. Hence Krishnamurti as an entity fully developed has entered into the Sea of Life and is the Teacher, because the moment you enter into that Life -which is the fulfilment of all Teachers, which is life of all the Teachers - the individual as such ceases.
A wound in the soul, coming from the rending of the spiritual body, strange as it may seem, gradually closes like a physical wound. And once a deep wound heals over and the edges seem to have knit, a wound in the soul, like a physical wound, can be healed only by the force of life pushing up from inside. This was the way Natasha's wound healed. She thought her life was over. But suddenly her love for her mother showed her that the essence of life - love - was still alive in her. Love awoke, and life awoke.
She ran her hands over her body as if to bid it good-bye. The hipbones rising from a shrunken stomach were razor-sharp. Would they be lost in a sea of fat? She counted her ribs bone by bone. Where would they go?
In 2007, my life changed forever. I signed on Tashan, a full-on glamorous masala movie, with two of the hottest and fittest actors around: Akshay Kumar and Saif Ali Khan. And me, rising out of the sea like a Bond girl, wearing nothing but a green bikini. I had nightmares of how my love handles would be on display for the whole world to see.
In 2007, my life changed forever. I signed on 'Tashan,' a full-on glamorous masala movie, with two of the hottest and fittest actors around: Akshay Kumar and Saif Ali Khan. And me, rising out of the sea like a Bond girl, wearing nothing but a green bikini. I had nightmares of how my love handles would be on display for the whole world to see.
We gon' float like a butterfly, sting like a bee. AH! Rumble, young man rumble! AH!
When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound.
One thing I love about Lady Gaga is I feel like her sound is always evolving and changing with her and her phases of life.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
THAT crazed girl improvising her music. Her poetry, dancing upon the shore, Her soul in division from itself Climbing, falling She knew not where, Hiding amid the cargo of a steamship, Her knee-cap broken, that girl I declare A beautiful lofty thing, or a thing Heroically lost, heroically found. No matter what disaster occurred She stood in desperate music wound, Wound, wound, and she made in her triumph Where the bales and the baskets lay No common intelligible sound But sang, 'O sea-starved, hungry sea
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