A Quote by Jean Rostand

It is sometimes well for a blatant error to draw attention to overmodest truths. — © Jean Rostand
It is sometimes well for a blatant error to draw attention to overmodest truths.
I’m not a follower. I never have been. But I’ll definitely become someone I’m not for a few hours if it’ll make me blend in rather than make me a blatant eye sore and draw attention.
I do not find illness an eminence, and I do not understand how people can use it to draw attention to themselves since the attention they draw is nearly always reluctantly given and unpleasantly carried out.
In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well stocked fish pond... If we don't give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked... As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them - to re-stock the trout pond, so to speak.
If you see a blatant error or misconception about yourself, you really want to set it straight.
Spurn not at seeming error, but dig below its surface for the truth; And beware of seeming truths that grow on the roots of error.
Sometimes if you get 'em too drunk they don't pay no attention to what you're doin' anyways, so you might as well just do old songs. But if you get one that's paying attention, sometimes we'll do some new material.
Let the answers be wrong, let the philosophy be mistaken - errors are more valuable than truths: truth is of the machine, error is alive; truth reassures, error disturbs.
That an error made on your own is safer than ten truths accepted on faith, because the first leaves you the means to correct it but the second destroys your capacity to distinguish truth from error.
The registering of doubts hath two excellent uses: the one, that it saveth philosophy from errors and falsehoods; when that which is not fully appearing is not collected into assertion, whereby error might draw error, but reserved in doubt: the other, that the entry of doubts are as so many suckers or sponges to draw use of knowledge; insomuch as that which, if doubts had not preceded, a man should never have advised, but passed it over without note, by the suggestion and solicitation of doubts, is made to be attended and applied.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
Error is certainty's constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.
Sometimes I think of creativity or art as this well that we all draw from.
There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, which he imagines he can dispense with in describing the light, is error with its unknown characteristics. Error is certainty's constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.
I'm an artist and I can draw very well. I'm amazed that everybody can't draw well because I can do it so effortlessly.
Observe Everything. Communicate Well. Draw, Draw, Draw.
There was a great deal of peer recognition to be gained in elementary school by being able to draw well. One girl could draw horses so well, she was looked upon as a kind of sorceress.
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