A Quote by Jean Shepherd

A man today never feels so alive as when he is hurtling from one point to another on the azimuth. — © Jean Shepherd
A man today never feels so alive as when he is hurtling from one point to another on the azimuth.
Putting a stamp on things just helps you say, 'Hey, yesterday I was there, and today I'm here.' It's another step forward, and it feels like another turning point and an unleashing of creativity, and now I'm going to start focusing on the show and the production, the fun stuff that comes with it.
There's no appreciation for the giants [of jazz]; there's never been a major film on Duke Ellington , never a major film on Louis Armstrong. What they accomplished, we could never accomplish today...What's happening now is lightweight compared to what happened before. If Louis Armstrong was alive today, he'd be a superstar. If Art Tatum was alive today, my god, all the piano players would get on their knees. So that's what's missing today; we've been cut off from our heritage.
In the entire history of the universe, let alone in your own history, there has never been another day just like today, and there will never be another just like it again. Today is the point to which all your yesterdays have been leading since the hour of your birth. It is the point from which all your tomorrows will proceed until the hour of your death. If you were aware of how precious today is, you could hardly live through it. Unless you are aware of how precious it is, you can hardly be said to be living at all.
... to say that the CIA and the KGB engage in similar practices is the equivalent of saying that the man who pushes an old lady into the path of a hurtling bus is not to be distinguished from the man who pushes an old lady out of the path of a hurtling bus: on the grounds that, after all, in both cases someone is pushing old ladies around.
There will never again be a day exactly like today. There will never again be a moment exactly like this moment. After my next birthday, I will never again be the age I am right now. After midnight tonight, today will be part of history. Someday I'll be dying and I'll wish I'd done all the things I want to do now. Someday I'll be dead and I won't be able to do anything. But today, right now, I'm alive. And yet I'm writing nonsense on the back of my literature book. But I'm alive. And yet I'm just sitting here. But I'm alive.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
The early '20s were like the waist of an hourglass. Lots of things were hurtling toward it and squeezing through it and then hurtling out the other side.
But you, Achilles,/ There is not a man in the world more blest than you--/ There never has been, never will be one./ Time was, when you were alive, we Argives/ honored you as a god, and now down here, I see/ You Lord it over the dead in all your power./ So grieve no more at dying, great Achilles.’ I reassured the ghost, but he broke out protesting,/ ‘No winning words about death to me, shining Odysseus!/ By god, I’d rather slave on earth for another man--/ Some dirt-poor tenant farmer who scrapes to keep alive—than rule down here over all the breathless dead.
If we apply the term revolution to what happened in North America between 1776 and 1829, it has a special meaning. Normally, the word describes the process by which man transforms himself from one kind of man, living in one kind of society, with one way of looking at the world, into another kind of man, another society, another conception of life.... The American case is different: it is not a question of the Old Man transforming himself into the New, but of the New Man becoming alive to the fact that he is new, that he has been transformed already without his having realized it.
Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.
The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.
I am grateful for being alive today. It is my joy and pleasure to live another wonderful day.
Isao had never felt that he might want to be a woman. He had never wished for anything else but to be a man, live in a manly way, die a manly death. To be thus a man was to give constant proof of one's manliness-to be more a man today than yesterday, more a man tomorrow than today. To be a man was to forge ever upward toward the peak of manhood, there to die amid the white snows of that peak.
A lady is nothing very specific. One man's lady is another man's woman; sometimes, one man's lady is another man's wife. Definitions overlap but they almost never coincide.
A man unconsciously imagines that where he is strong, where he feels most thoroughly alive, the element of his freedom must lie.
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