A Quote by Jean Shepherd
In all my years of New York cab riding I have yet to find the colorful, philosophical cabdriver that keeps popping up on the late movies.
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L.A. is such a different place. I miss New York so much. I almost teared up when I came back and wanted a Guinness and realized I could drink it and take a cab home. I remembered that I could be a functional alcoholic in New York, like I used to be!
I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.
These big Silicon Valley companies that are popping up are projecting growth skyrocketing in a few years. So they need a space they can grow into. Not so much in New York. Super conservative, super small.
If you see me in New York, you'll probably see me on my bicycle riding furiously between a city bus and a taxi cab, hitting one of them on the side and yelling at them.
I've been riding for 36 years. I started when I was 14-years-old. I was one of those crazy guys, riding wheelies up and down the streets, all the time. I love riding. It's in my blood.
The thing I love about New York is getting lost but not worrying, just wandering and wandering, knowing that there's always a subway only ten blocks away in any direction. There's always a new neighborhood to discover, a new place to lose your bearings in, and yet however alien it seems you can escape. You can always get a cab. All of life's problems can be solved by hailing a cab.
I grew up in New York City in the late '70s, at a time when U.S. - China relations were something that was on the front page of The New York Times on a regular basis.
I was in a cab in New York. The cab had a sign, "Please do not smoke, Christ is our unseen guest." This guy was reaching. I figure, if he could overcome being nailed to a cross, I don't
think a Marlboro Light's gonna faze him that much.
New York City in life was much like New York City in death. It was still hard to get a cab, for example.
On a Friday night in 1983, I was in a taxi in New York riding home from dinner with friends. A drunk driver ran a red light and hit the cab, and I was thrown toward the glass partition. I tried to duck, but my face hit the glass, and the impact fractured my cheekbone, my eye socket, my collarbone and several ribs.
New Yorkers tend to have a wall up. Being from the South, I didn't have that. It helped me meet a lot of people. And, as a Southerner, I love wearing color. New York is a sea of black. My popping out in pink was definitely noticed.
New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.
I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
I'm going to show you the real New York - witty, smart, and international - like any metropolis. Tell me this: where in Europe can you find old Hungary, old Russia, old France, old Italy? In Europe you're trying to copy America, you're almost American. But here you'll find Europeans who immigrated a hundred years ago - and we haven't spoiled them. Oh, Gio! You must see why I love New York. Because the whole world's in New York.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
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