A Quote by Jean Sibelius

It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money. — © Jean Sibelius
It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money.
Men talk about art, and artists make art, but should artists talk?
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
When the magazines talk about artists they talk about the Paul McCartneys, the Paul Simons, they never talk about me. So their readers and contemporary artists are never going to check me out because they're not reading about me.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
Only one percent of artists are really profitable and successful. Beyonce is one?tenth of one percent. When we talk about what she can do, ninety-nine percent of artists can't do that.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.
But I found a lot of artists at the Cedar Bar were difficult for me to talk to.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
The music business is suffering because fewer artists are being invested in. Labels are putting in less money, taking fewer risks and signing half as many artists as they did 10 years ago. Everything is risk averse right now and there are two ways to deal with a business situation like this: either reduce your risk or increase your return. They're reducing their risk to the bone and looking for ways with their 360 deals to increase their return. They're still not making money. Artists are suffering. Labels, or music investors, are suffering.
Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.
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