A Quote by Jean Smart

This is going to sound terrible, but once I moved to New York, I never did a civilian job. I was extraordinarily lucky. — © Jean Smart
This is going to sound terrible, but once I moved to New York, I never did a civilian job. I was extraordinarily lucky.
I moved to New York with the derangement of love. I was writing all these terrible stories, but I had never been happier.
I did a terrible job of composing myself. I was a spoiled brat from Long Island who benefitted from the energy of New York.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I've been very lucky. I wanted to be an actress, but I didn't really have the drive to sell myself. Fortunately I had a terrific agent in New York who kept me going from job to job.
I did live in New York. Yeah, I moved to L.A. for 'Community.' And I gave up my apartment in New York.
I did a couple of films, I was very lucky at the beginning of my career... and then, I never had another job here for ten years probably and I moved to Europe.
In the '60s, I was teaching humanities at a college in upstate New York and trying to publish a novel I'd written in graduate school. But nothing was happening. So I moved to New York City and got a job as a messenger at a place that made movies.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
When I moved to New York, I remember thinking, 'I'm never going to live anywhere else.'
When I first moved to New York, I moved all over because I never knew where I would be or if I was going to Europe, so I would sublet apartments. It was miserable because I was constantly moving.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
Moving to New York made all the difference in my creating this new series with Ellie Hatcher. I love Portland, and it's always going to be one of my favorite cities, but it was getting to the point where, after I'd moved to New York, I couldn't write as specifically about Portland any more.
I never really thought of comedy as a career. My goal was, when I moved to New York, I was going to write serious films.
My dad was going to graduate school at Columbia, in New York, so we moved there. After he graduated, we ended up settling in New York, so I grew up there.
I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
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