A Quote by Jean Stapleton

Lots of colors appear when you're working with other people. — © Jean Stapleton
Lots of colors appear when you're working with other people.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I got involved in lots of different areas round about 2007, 2008. Just working with lots of different people and stretching myself in different ways. I was working on art projects and working with other writers, just doing bits and pieces, trying to keep busy.
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other rather than interacting with each other. The results" colors.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
Bet you don't know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
So when I appear as a kind of shamanistic figure, or allude to it, I do it to stress my belief in other priorities and the need to come up with a completely different plan for working with substances. For instance, in places like universities, where everyone speaks so rationally, it is necessary for a kind of enchanter to appear.
All I can do is keep working, keep auditioning, keep talking to people - and whatever it takes to show other colors.
I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.
Remember always that there not so very much difference between various people as we seem to imagine. Maps and atlases show us countries in different colors. Undoubtedly people do differ from one another, but they resemble each other also a great deal, and it is well to keep this in mind and not misled by colors on the map or by national boundaries.
I spent six years touring the world playing Shakespeare, Molire, Shaw, Goldsmith... But I slowly came to realise that the people you are working with are as important as the parts you play, and that there were lots of interesting people working in film and T.V.
We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't.
Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.
I'm very aware there are lots of other people who are just bright and working just as hard, with just the same dedication to make the world a good place.
I have said a lot of 'yeses' to lots of first-time film-makers. Lots, lots, lots. I admire them a lot, I respect them a lot. It is of greatest pride to be working with someone's first film - like being given a Nobel Prize or an Oscar.
It is not enough to place colors, however beautiful, one beside the other; colors must also react on one another. Otherwise, you have cacophony.
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