A Quote by Jean Tinguely

One has complexes. One has the art complex. One goes to the School of Fine Arts and catches the complexes. — © Jean Tinguely
One has complexes. One has the art complex. One goes to the School of Fine Arts and catches the complexes.
My dad kept me away from people who treat children wrong. It's just amazing that there is such a way to raise a person without giving them complexes. But nobody does it. They think it should be the old school. But look at the products. Wouldn't it be great if you could avoid the complexes? Then you could deal with the complexes of life.
Not bodies produce sensations, but element-complexes (sensation-complexes) constitute the bodies. When the physicist considers the bodies as the permanent reality, the 'elements' as the transient appearance, he does not realise that all 'bodies' are only mental symbols for element-complexes (sensation-complexes).
Everyone knows nowadays that people 'have complexes'. What is not so well known, though far more important theoretically, is that complexes can have us.
In the beginning, I was riddled with major complexes about my looks. Even now, here and there, these complexes crop up. But as the days progressed, I learnt to handle them much better.
Normally, we see characters that have God complexes. How interesting, I thought, it would be to capitalize on that. And say, OK, well fine, you have a God complex, well this person has a Satan complex. And the doctor chooses to treat him scientifically.
Bodies do not produce sensations, but complexes of elements (complexes of sensations) make up bodies.
Comedy, although it is not one of the fine arts - it's a vulgar art, it's one of the people's arts, it's the spoken word, the writing that goes into it is an art form - it's certainly artistry.
Everybody has an inferiority complex when they step into a room. But then when you have children and you get older, it doesn't really matter. When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train.
Philosophy by showing - including philosophy in literature - does truly valuable work in leading us to new perspectives from which our arguments can then begin. It does so by introducing new synthetic complexes, which we then reflect on from various points of view. When the complexes survive and grow, that initial showing has been philosophically decisive.
When I was young I had so many inferiority complexes. I had an inferiority complex because I didn’t go to university. I had an inferiority complex because I didn’t train. Then it gets tiring. And you do get bored of it.
When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train. Then it gets tiring. And you do get bored of it.
I got out of this school and went to Camberwell College of Arts, a terribly prestigious thing to do. I was there to be a painter. And I sketched so well that, a year later, I was sent to Slade School of Fine Art, one of the great art schools.
A HITT workout is basically three to four complexes and a complex is about three exercises that you can do about three to four times with no rest. Your heart rate is always up and you're lifting weights.
All artists are egotistical maniacs with inferiority complexes.
I have such trust complexes. I'm close to, like, two people.
The act of consciousness is central; otherwise we are overrun by the complexes.
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