A Quote by Jeanette
Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world.
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I feel every shot, every camera move, every frame, and the way you frame something and the choice of lens, I see all those things are really important on every shot.
No one can know truth except the one who obeys truth. You think you know truth. People memorize the Scriptures by the yard, but that is not a guarantee of knowing the truth. Truth is not a text. Truth is in the text, but it takes the text plus the Holy Spirit to bring truth to a human soul.
I say, technically, I don't think anyone in the world knows how to do such a thing. and I feel confident it will not be done for a very long period to come. I think we can leave that out of our thinking. I wish the American public would leave that out of their thinking.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
One of the pitfalls about writing about illness is that it is very easy to imagine people with cancer as either these wise-beyond-their-years creatures or these sad-eyed tragic people. And the truth is, people living with cancer are very much like people who are not living with cancer. They're every bit as funny and complex and diverse as anyone else.
The weirdest thing to me is that magazines would never do this for their writers. They would never hire a writer who writes for another magazine; they want to have their own stable of writers. Newsweek would never hire a TIME writer, and TIME would never hire a Newsweek writer - but they would both hire the same photographer to shoot a cover for them.
Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.
There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.
It's certainly important to include text beside documentary photographs. Furthermore, it's important to include text in a way that's useful and accessible.
Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.
The simple act of an ordinary courageous man is not to take part, not to support lies! Let that come into the world and even reign over it, but not through me. Writers and artists can do more: they can vanquish lies! ... Lies can stand up against much in the world, but not against art.
There are books in which the footnotes, or the comments scrawled by some reader's hand in the margin, are more interesting than the text. The world is one of those books.
So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically.
You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.
As geographers, Sosius, crowd into the edges of their maps parts of the world which they do not know about, adding notes in the margin to the effect that beyond this lies nothing but sandy deserts full of wild beasts, and unapproachable bogs.
The most annoying and full- of- crap thing a writer says is, I write only for myself, I don't care if anyone reads it. A writer without a reader doesn't exist.
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