A Quote by Jeanette Winterson
Islands are metaphors of the heart, no matter what poet says otherwise.
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Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
The media have literally no negative effect on Donald Trump. No matter what he says, no matter how he says what he says, no matter what he does, it gets covered.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Every man will be a poet if he can; otherwise a philosopher or man of science. This proves the superiority of the poet.
My love for traveling to islands amounts to a pathological condition known as nesomania, an obsession with islands. This craze seems reasonable to me, because islands are small self-contained worlds that can help us understand larger ones.
The poet wants to ‘say’ something. Why, then, doesn’t he say it directly and fortrightly? Why is he willing to say it only through his metaphors? Through his metaphors, he risks saying it partially and obscurely, and risks saying nothing at all. But the risk must be taken, for direct statement leads to abstraction and threatens to take us out of poetry altogether.
A writer's heart, a poet's heart, an artist's heart, a musician's heart is always breaking. It is through that broken window that we see the world.
Metaphors are not user-friendly. They're difficult to find and difficult to use well. Unfortunately, metaphors are a mainstay of good lyric writing-indeed of most creative writing. ...metaphors support lyrics like bones.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
The importance of poetry is not measured, finally, by what the poet says but by how he says it.
There is an old Latin quotation in regard to the poet which says 'Poeta nascitur non fit' the translation of which is- the poet is born, not made.
She does not love you. Your metaphors thrill her you are her poet. But that's all there's to it.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.
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