A Quote by Jeanette Winterson

Stories end in reverie, tragedy, or forgiveness. — © Jeanette Winterson
Stories end in reverie, tragedy, or forgiveness.
There are only three possible endings -aren't there? - to any story: revenge, tragedy or forgiveness. That's it. All stories end like that.
Happy ending are only a pause. There are three kinds of big endings: Revenge. Tragedy. Forgiveness. Revenge and Tragedy often happen together. Forgiveness redeems the past. Forgiveness unblocks the future.
Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
A universe comes to contribute to our happiness when reverie comes to accentuate our repose. You must tell the man who wants to dream well to begin by being happy. Then reverie plays out its veritable destiny; it becomes poetic reverie and by it, in it, everything becomes beautiful. If the dreamer had "the gift" he would turn his reverie into a work. And this work would be grandiose since the dreamed world is automatically grandiose.
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
The mark of a good marriage is partnership and continuing to feel inspired by your spouse. I had that with Tao. But the end is not necessarily the tragedy. Staying in a relationship that is no longer working is the tragedy. Living unhappily - that's the tragedy.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
Instead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.
To lose one's self in reverie, one must be either very happy, or very unhappy. Reverie is the child of extremes.
I don't think I tell stories of tragedy. I think I tell stories of love. Even though you're full of tears, I hope that you leave the theatre with your heart feeling like it's going to explode out of your chest. And yes, you've been through the tragedy, but it's ultimately hope that I think you're left with.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.
The existence of the Taliban, in my view, is a tragedy for Afghanistan. We as Americans need to understand our role in helping bring that tragedy about. So I think it's important to look at the stories about why these people are fighting.
All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.
Wizard's Fourth Rule There is magic in sincere forgiveness; in the forgiveness you give, but more so in the forgiveness you receive.
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