A Quote by Jeanette Winterson

And if I say to you that I am glad of everything we have done together, and sorry that we will not be here together in forty years, laughing at a faded photo of you impersonating a lion, it having withered well, you less so, as we stand fabulously old, in a city that understands what spirit it takes to be old, to be beautiful, to be much looked at, to be itself, to be never quite caught, to have a past, to be content, to have seen much, to have remained, to have continued...
It was an old, old, old, old lady, And a boy who was half-past three; And the way they played together Was beautiful to see.
I've seen my grandmothers grow old and they are so beautiful, every wrinkle in their face tells a story. I want to feel that in 30 years. I would always choose that kind of beauty over that comes from having too much done to yourself.
I wanted to say sorry, I wanted to tell her I could not forget the roundup, the camp, Michel's death, and the direct train to Auschwitz that had taken her parents away forever. Sorry for what? he had retaliated, why should I, an American, feel sorry, hadn't my fellow countrymen freed France in June 1944? I had nothing to be sorry for, he laughed. I had looked at him straight in the eyes. Sorry for not knowing. Sorry for being forty-five years old and not knowing.
François Mitterrand was a student of architecture, he had done a lot of research before he called me. He said, "You did something special at the National Gallery of Art in Washington - you brought the new and the old together." But John Russell Pope finished the West Building in 1941, so when the East Building opened it was only about 40 years old. But the Louvre is 800 years old! A much bigger design challenge.
I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.
It makes the city unique and hold a charm. In old Kolkata, there are some beautiful old buildings... some of them are well-maintained; somewhere reflects what the city has gone through in the past.
The Bible has a very meaningful expression: The Spirit makes all things new. We are those who grow old, and we want everything done to our aged standards. The Spirit is never old; the Spirit is always young.
I am above eighty years old; it is about time for me to be going. I have been forty years a slave and forty years free and would be here forty years more to have equal rights for all.
When we talk about the UN, what are we really talking about? We are talking about my country, your country, other countries and their collective will to stand together and apply pressure or offer incentives to steer things in the right direction. When the nations of the world come together, with collective will, on an issue and they speak with a united voice, they have a much greater impact. When there is division, then the impact is much, much less.
A popular bumper sticker post-9/11, and pretty faded these days, proclaims drivers of the cars to be 'Proud to be an American.' It really should say 'Lucky to be an American,' for I doubt very much that the drivers had much say in having been born here, and are not old enough to have participated in the drafting of the Constitution.
The Internet is really our meeting place. We have this amazing listserv. Every time I log onto it I feel a sense of pride, because if you log on and say, "Oh I was just in San Diego and I was in a park and I saw a lion," the flurry of replies on average is just like--wow! All these existential questions about what it means to be an African, and never having seen a lion at home, but having seen a lion here. Everything you say turns into this real philosophical debate--it's incredible in so many ways. And it's an invigorating place to be.
When you're on a movie and the production department says, "We need old photographs of you - your character - when you were 20-years-old." I usually tell them it's in storage or I had a fire. I go back to these old photos and there's never a good photo or they're of times that I'm so glad I'm out of. They have nothing to do with the character that you're playing, so it feels false. That's one of the hardest things for me in terms of looking back.
My brother, Cecil Edward Chesterton, was born when I was about five years old; and, after a brief pause, began to argue. He continued to argue to the end. I am glad to think that through all those years we never stopped arguing; and we never once quarreled. Perhaps the principal objection to a quarrel is that it interrupts an argument.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
I mean that everything this afternoon has been too beautiful, and that perhaps everything together will never be so right again. I'm very glad therefore you've been a part of it.
Together we will build an America where hope is a new job with a paycheck, not a faded word on an old bumper sticker.
This site uses cookies to ensure you get the best experience. More info...
Got it!