A Quote by Jeanette Winterson
For me, the most painful thing is the thought of shelves without books. This is the problem with the digital thing. I do not want to see it on electronic. I do not want to see all of those indices on Kindle. I don't want this physical object to disappear, because when it's there and it's present, it's continually suggesting new relationships in a way that an electronic index couldn't.
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In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
Unfortunately for me, most of the books I'd want to reprint were written for savvy publishers like Harlequin and Berkley who have held on to electronic rights. But I do have another option: Publish new e-books myself.
They don't want to see rap music. They don't want to see the Beastie Boys. They don't care what we're doing. They want one thing and one thing only: that's to see Madonna come on stage.
What does an entrepreneur do? The first thing is they've given themselves permission to see a problem. Most people don't want to see problems ... Once you see a problem and you keep looking at it you'll find an answer.
What does an entrepreneur do? The first thing is they've given themselves permission to see a problem. Most people don't want to see problems... Once you see a problem and you keep looking at it, you'll find an answer.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved 'Bridesmaids'. I thought it was the most honest portrayal of female friendship in such a long time.
E-readers are uninspired. They're slabs of plastic with fiddly controls and display a badly-formatted, typographically impoverished rendering of a paper book. That's not the electronic book I want. I want a gorgeous physical object, with paper pages, that can transform into any story I choose, perfectly presented on the page.
Electronic books are ideal for people who value the information contained in them, or who have vision problems, or who like to read on the subway, or who do not want other people to see how they are amusing themselves, or who have storage and clutter issues, but they are useless for people who are engaged in an intense, lifelong love affair with books. Books that we can touch; books that we can smell; books that we can depend on.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
Electronic books are a bad thing because they cannot be accumulated on shelves to remind you of your past, to impress your neighbors and colleagues, and to help prevent divorces thanks to the sheer bother of arguing over who owns what.
It's all about, no matter where you come from, that you can be who you want to be and achieve what you want to achieve. I want people to learn to love who they are. Because that's the hardest thing in life, being able to see yourself the way other people see you.
Book lovers are thought by unbookish people to be gentle and unworldly, and perhaps a few of them are so. But there are others who will lie and scheme and steal to get books as wildly and unconscionably as the dope-taker in pursuit of his drug. They may not want the books to read immediately, or at all; they want them to possess, to range on their shelves, to have at command. They want books as a Turk is thought to want concubines - not to be hastily deflowered, but to be kept at their master's call, and enjoyed more often in thought than in reality.
Everybody wants blockbusters. I like to see a few pictures now and then that have to do with people and have relationships, and that's what I want to do films about. I don't want to see these sci-fi movies, and I don't want to do one of those. I don't understand it.
When I was younger I thought success was something different. I thought, " When I grow up, I want to be famous. I want to be a star. I want to be in movies. When I grow up I want to see the world, drive nice cars. I want to have groupies." But my idea of success is different today. For me, the most important thing in your life is to live your life with integrity and not to give into peer pressure, to try to be something that you're not. To live your life as an honest and compassionate person. To contribute in some way.
There is still so much that I want to see and do, but for me, it's the pure satisfaction of doing what you really want. I always had a problem doing things that I didn't want to do. I don't have a problem when my director says: "Don't do it like this; I want it like this." But generally in life, I like to do what I want, and for me the best way is through acting and making films.
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
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