A Quote by Jeanette Winterson

It is important not to force a character into something. Fiction writers can be too controlling - usually that's a terror of our own unconscious processes. — © Jeanette Winterson
It is important not to force a character into something. Fiction writers can be too controlling - usually that's a terror of our own unconscious processes.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
Cross-pollination and 'contamination' is really important to the health of fiction, and sometimes it's a literal conversation, too, in that writers who might never otherwise meet and talk do so because of our anthologies.
Cross-pollination and "contamination" is really important to the health of fiction, and sometimes it's a literal conversation, too, in that writers who might never otherwise meet and talk do so because of our anthologies.
As writers, our job is to try to create, in a fake space, something that feels true. That's just straight-up fiction: Invent a character that doesn't exist; make them seem like they do.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
And yet, for some time now I have believed that it is our own force, all our own force that is still too great for us. It is true we do not know it; but is it not just that which is most our own of which we know the least?
Physiology seeks to derive the processes in our own nervous system from general physical forces, without considering whether these processes are or are not accompanied by processes of consciousness.
I was joking earlier when I said that all writers are manic depressives, but it's a joke with a lot of truth behind it. For fiction writers and poets, too, there's something wrong with you and you do this art as a way of correcting it or addressing it in some way.
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.
I think it is our job, as writers, to be epic. Epic and tiny at the same time. If you're going to be a fiction writer, why not take on something that means something. In doing this, you must understand that within that epic structure it is the tiny story that is possibly more important.
As writers, we live very much in our own minds much of the time, buzzing in our unconscious spaces as we go about the business of living in the world.
I think that fiction writers can write about anyone. If you are writing a character, and the only thing they are to you is their otherness, then you haven't written a character.
I suppose most writers are following Twain's advice to tackle what they know, and my own readings habits drew me to writers who seemed to be writing honestly from their own experiences, whether they presented it in the guise of fiction or not.
Science fiction writers aren't short of ideas. You can read a book, and it sets off a chain of thought processes, so it becomes a response to other people's books.
Remember, when we're conscious of something, that state is quite often generated by unconscious processes that happen right before it.
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