A Quote by Jeanette Winterson

I wanted to invent myself as a fictional character. And I did, and it has caused a great deal of confusion. — © Jeanette Winterson
I wanted to invent myself as a fictional character. And I did, and it has caused a great deal of confusion.
I quote fictional characters, because I'm a fictional character myself!
Technological change is discontinuous. The monks in their scriptoria did not invent the printing press, horse breeders did not invent the motorcar, and the music industry did not invent the iPod or launch iTunes.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
How would I behave in a situation that caused me to summon the essence of my character? The tragedy inspired me to test myself. I wanted to reveal to myself who I was: the kind of person who died, or the kind of person who overcame circumstances to help himself and others
I don't think there is a fictional character who resembles me because fictional characters are not real!
I think every actor injects some of his own personality into his parts. There's a great deal of myself in McCoy, a great deal of Bill in Kirk, and a great deal of Leonard in Spock!
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
I never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.
The fictional character with whom I most profoundly identified was Yossarian in Catch-22. Always did, still do.
As soon as I started reading, I found myself drawn to fictional character's homes as much as I was to the characters themselves.
On every film, the clothes are half the battle in creating the character. I have a great deal of opinion about how my people are presented. We show a great deal by what we put on our bodies.
When I was trying to achieve my goal, I started training. I became a character, and everyone was expecting me to become the 'Prince of...' or the Middle-Eastern, and I wanted to wear a mask, and I wanted to be like a luchador from Mexico. And people asked me, 'Why are you putting a mask on?' And the truth is, I did not want to deal with who I was.
That is exciting to reinvent myself, to invent a new character. As an actor that is revitalizing.
When you invent the ship, you also invent the shipwreck; when you invent the plane you also invent the plane crash; and when you invent electricity, you invent electrocution...Every technology carries its own negativity, which is invented at the same time as technical progress.
Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.
If God wanted us to be naked, why did he invent sexy lingerie?
This site uses cookies to ensure you get the best experience. More info...
Got it!