A Quote by Jeanette Winterson

There are so many separate selves; no one who writes creatively hasn't felt that. — © Jeanette Winterson
There are so many separate selves; no one who writes creatively hasn't felt that.
We are many, many selves. We're not just a finite being. The selves don't necessarily speak in words. But they are you.
[In the moment of reading writer and reader] are both briefly their best selves, or at least better selves. A flawed human being writes something and 60 years later a reader picks up the book and something in them rises to meet it.
If you dig deeply, you will find that you are not a singular self but that there are many selves, many voices within you. The more conscious you are of those selves and the more you let them find expression through you, the more complete you will be.
Perhaps we've got so involved in the false selves we project on social media that we've forgotten that our real selves, our private selves, are different, are worth saving.
I can no more separate my serious concerns about the world from my cockeyed way of seeing it than I can keep apart my personal and professional selves.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
Reading well makes children more interesting both to themselves and others, a process in which they will develop a sense of being separate and distinct selves.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
Have you ever felt really close to someone? So close that you can't understand why you and the other person have two separate bodies, two separate skins?
Many married couples separate because they quarrel incessantly, but just as many separate because they were never honest enough or courageous enough to quarrel when they should have.
All of us are many different people over time. We have our childhood selves, people that we remember, but they're very different to our adult selves and the way that we create our own naratives is not that dissimilar, I think, to how a biographer structures their narrative of a life.
I think because there is the constant looming threat of nepotism and judgment, I really tried to separate what I was doing at MTV, my auditions, anything I was doing creatively, from my family.
Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
Every time I watched my acting on 'Dynasty,' I cringed. Creatively, I felt stifled.
I think you can have varied and seemingly contradictory depictions of a single person because we all have many facets and, in a way, many selves.
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