A Quote by Jeaniene Frost

…well just call me Hannibal Lecter. With cleavage. — © Jeaniene Frost
…well just call me Hannibal Lecter. With cleavage.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
Our idea for Hannibal Lecter is that he's very reactionary - he's somebody who can adapt really well to circumstances.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
The idea of suggesting that Hannibal Lecter - in the book, he has a sixth finger and red eyes, and so there is a devilry in Thomas Harris' presentation - so it felt like it was completely honest and appropriate for the character. And we often talk in the writers' room, "Okay, there is the Hannibal as the devil explanation of that plot point, but we also need to ground that in a reality that is answerable to the physics of the storytelling."
My favorite movie villain? Oh, that's easy. Hannibal Lecter.
I'm giving serious thought into eating yor wife” - Hannibal Lecter
Hannibal Lecter: We live in a primitive time - don't we, Will? - neither savage nor wise. Half measures are the curse of it. Any rational society would either kill me or give me my books.
These scenes deal with what happened before Hannibal Lecter was captured for the first time.
Hannibal Lecter stole Leatherface's mask and ported the slasher conventions into the thriller for the early '90s.
The places we'd play were full of bikers, brawlers, and drinkers coming off a day of work looking for a good time, and all these guys would be looking at me like Hannibal Lecter looking at his next victim.
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
My favorite movie of all time is 'The Silence of the Lambs.' I think Hannibal Lecter is the scariest movie monster ever because he's smarter than you are.
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Man, some open doors were not welcoming, and that was so the case here—less hi-how’re-ya, more come-in-so-your-skin-can-be-used-to-make-a-super-hero-cape-for-one-of-Hannibal-Lecter’s-patients.
They tell me: 'OK, this is where we're going to push up your cleavage,' and I'm like, 'What cleavage?'
Weeping for Anna Karenina and being terrified by Hannibal Lecter, entering the heart of darkness with Mistah Kurtz, having Holden Caulfield ring you up - some things should happen on soft pages, not cold metal.
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