A Quote by Jeanne Damas

I wanted to create clothes that my friends and I can wear throughout the seasons. We wear Rouje in Paris, on holiday, or at work. — © Jeanne Damas
I wanted to create clothes that my friends and I can wear throughout the seasons. We wear Rouje in Paris, on holiday, or at work.
I was very preppy in my childhood. I also went through an anti-clothing moment where I just wanted to wear sweats because I'd just moved to Canada. My mom was always trying to get me into proper clothes, but I never wanted to wear them, and now that's all I wear.
During the Olympics they're really strict about what you're allowed to wear. You get a lot of clothes, but everything is pre-ordered. We had a fitting over the summer. You're not allowed to wear your own clothes. No logos, nothing. You get fined if you wear something you're not supposed to wear.
Actors work with their look. I come from the Lon Chaney Sr. school of acting. I'll wear wigs, I'll wear nose pieces, I'll wear green contact lenses in my eyes. I'll do whatever I need to do to create a character.
For me, I analyze the modern girl, the girl that I'm friends with, and they're empowered: They pay their own bills. They have their own style. They wear clothes - the clothes don't wear them.
I like to be dressy casual. I wear jeans and nice sneakers. I wear nice clothes, but not super dressed up. I don't wear too much jewelry. I keep it simple and maybe wear just a little chain.
I have always dressed a little bit differently, even when I was in school. I would wear skirts over pants because I went to a Christian private school and wanted to wear short skirts, but we had to wear skirts below our knees, so I put on a pair of jeans underneath so I could wear the skirt, too. When you become an artist you have to be so aware of what you're wearing all the time, but I've definitely wanted to stay classy, girlie, and feminine - I won't walk around in my bra or trashy clothes. I don't feel attractive that way.
My mother cared a lot about clothes. It was a point of friction because when I was a teenager, and I only wanted to wear my father's shirts, and I never wanted to wear makeup, she would say: 'Put on lipstick.' That was her thing.
I wanted to create Rouje to bring together my talented friends - photographers, stylists, graphic designers - in a project to create my universe and perfect dressing. I did not want to call the brand my name, because I have other projects, and this brand is the result of the work of several people and not just me.
For work, I wear art; in real life, I wear clothes.
I think people get excited about summer wardrobes and what they will wear on holiday, and people have an opportunity to wear things that they don't normally wear when they're in the city.
A lot of women say to me, "Polly, why aren't there more clothes out there that we can wear?" And I don't agree with them! There are clothes out there that they can wear - it's just that they don't dare to wear them.
If you wear Arab things, wear the best. Clothes are significant among the tribes, and you must wear the appropriate, and appear at ease in them. Dress like a Sherif, if they agree to it.
I cherish my clothes and I remember what seasons they're from. But someone said to me as I was having trouble with styling a dress that I had bought, and he said to me: "Throw it on the floor." And I was like, "What? It's like a gown." He goes, "Throw it on the floor," and I did, and he's like that's how you need to wear everything. You wear clothes like you throw them on the floor.
If you wear clothes that don't suit you, you're a fashion victim. You have to wear clothes that make you look better.
When clothes wear you, it's pretty evident. You've got to wear the clothes, not the other way around.
I wear my sort of clothes to save me the trouble of deciding which clothes to wear.
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