A Quote by Jeanne Marie Laskas
Pearl Harbor? Michael Bay doing a movie about the single most devastating, most holy day in United States military history? Why, that's like the Three Stooges doing a Holocaust movie. Or Barney doing 'Hamlet'.
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I had a question. "Why does the name Pearl Harbor sound so familiar?" The lieutenant colonel's eyes narrowed. "Pearl Harbor is the most famous U.S. military base in the world," he said crisply. "It's the only place on U.S. soil that has been attacked in a wars, since the Revolutionary War." None of this was ringing a bell, but you already know I'm totally uneducated. Gazzy leaned over to whisper, "It was a movie with Ben Affleck." Ah. Now I remembered.
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
I made a movie to explain to the American public what had been achieved in regards to disarmament of Iraq and why inspectors aren't in Iraq today and detailing the very complex, murky history of interaction between Iraq, the United Nations and the United States. It is most definitely not a pro-Iraq movie. It is a pro-truth movie.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.
There were times when I purposely didn't go to school because of Pearl Harbor Day, because certainly there was enough media about it every year to remind everybody. So when I heard they were going to make the movie, I thought, "Oh, no, please not another Pearl Harbor mention!"
My 'Pearl Harbor' story is that I've never seen it, and I suspect that I was cut completely from the movie, but my name is fairly high in the credits at the end. So, anybody that's ever said that they saw me in Pearl Harbor, I think they just saw the list of credits at the end of the movie.
When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'
I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.
I was in Japan a couple of months ago, I saw a preview for the movie Pearl Harbor. And they showed the Japanese airplanes coming in to bomb Pearl Harbor, and I applauded. Nobody else in the theater applauded.
When I'm doing a movie, I'm not doing anything else. It's all about the movie. I don't have a wife. I don't have a kid. Nothing can get in my way... I've made a choice, so far, to go on this road alone. Because this is my time. This is my time to make movies.
I love the movie 'Taken,' but the dialogue in the beginning of that movie is hilarious. They're talking, these commando types, and there's dialogue like, 'Hopefully your daughter appreciates what you're doing for her. Does she know that you're doing it?' What guys talk like this?
I remember doing one day of work, and I was so good I ended up doing 25 days on that movie. And all of it ended up on the editing room floor. That was my first Hollywood lesson: Just because you filmed a movie doesn't necessarily mean that you're in it.
It never seemed like that much of a mystery why shows I was acted in failed. When you're doing a show called Freaks And Geeks about young people in high school, and it's on Saturday nights at 8 and there's no promotion for it, it's not really hard to guess why no one's watching it. And when you're doing a college goofball comedy that premières three weeks after Sept. 11, it's not that hard to piece together why that's not the most important thing on the radar.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
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