A Quote by Jeanne Moreau
My face has changed with the years and has enough history in it to give audiences something to work with.
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Prescription for Life-long Happiness: Purpose enough for satisfaction; Work enough for sustenance; Sanity enough to know when to play and rest; Wealth enough for basic needs; Affection enough to like many and love a few; Self-respect enough to love yourself; Charity enough to give to others in need; Courage enough to face difficulties; Creativity enough to solve problems; Humor enough to laugh at will; Hope enough to expect an interesting tomorrow; Gratitude enough to appreciate what you have; Health enough to enjoy life for all its worth.
Modern audiences are so intelligent. They work at such a fast pace that if you don't give enough stimulus at a breakneck speed, they will become disinterested.
Over the last twenty years, we've changed the world just enough to make it radically different, but not enough to make it work.
I couldn't get published for three years. Then the times changed: glasnost, perestroika. So, for three years, I wasn't allowed to publish 'The Unwomanly Face of War,' but then it changed.
There's a forgiveness that literary audiences will give you that film audiences don't give you. It's the two hour construct. You're in there and it needs to climax and finish.
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
The industry has changed. Two years ago I could tell a company I've got Russell Crowe and that would get the film made. Now they'd ask 'And who's the girl?' Just one famous face isn't enough any more.
If you take care of yourself, 60 is nothing for women these days. In today's world you can be the kind of woman you want to be. Of course, I've aged a bit in the face, but not enough to worry about it. I've common sense enough to know that if I'm nearly 70 something has to give.
Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
You need something that no one else is using. And something that is clean enough to play around audiences.
It's good to give people a jolt. If they're expecting one thing, it's important to give them something else. If you do something startling, audiences might at first freak out, but then they start to think, 'This is not going to be conventional. I'm going to enjoy this.'
Pick a big enough project, something that's really hard, something that over the years you can work on.
I learned to live many years ago. Something really, really bad happened to me, something that changed my life in ways that, if I had my druthers, it would never have been changed at all. What I learned from it is that today seems to be the hardest lesson of all. I learned to love the journey, not the destination. I learned that it is not a dress rehearsal, and that today is the only guarantee you get. I learned to look at all the good in the world and to try to give some of it back because I believed in it completely and utterly.
If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.
It is no longer enough to play very well. You need to be able to give an answer at all times and everywhere. You cannot hide. This has something to do with maturity, and that is something you only acquire over the years.
I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must still try to learn from history. History is ourselves.
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