A Quote by Jeanne Moreau

Success is like a liberation or the first phrase of a love story. — © Jeanne Moreau
Success is like a liberation or the first phrase of a love story.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
The real people nation have for centuries had the practice at birth of speaking the same first phrase to all newborns. Each person hears the same exact first human words: "We love you and support you on the journey." At their final celebration, everyone hugs them and repeats the phrase again.
I never talked about homosexuality with my family. After I was 18, they know everything, but I never talk; it was like an information but in silence. I start to talk when I was 32, it was good for me - it was like a liberation. I'm talking about a love story. I'm not talking about sex because love is love.
Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story.
I really wish there had been a way to phrase this as 'A thunder of worms.' Because I like that phrase. That's a phrase with soul. Worm thunder on the horizon, all is right with the cosmos.
I'd love to do a love story. I've never done a true love story, which would be awesome. But then again, I don't think I've had a true love story, even in my own life. Maybe that's something I want to explore in my own life first.
The story of my recent life.' I like that phrase. It makes more sense than 'the story of my life', because we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality- and in some lucky cases, to do something after that realization.
It thought about the magic that happens when you tell a story right, and everybody who hears it not only loves the story, but they love you a little bit, too, for telling it so well. Like I love Ms. Washington, in spite of myself, the first time I heard her. When you hear somebody read a story well, you can't help but think there's some good inside them, even if you don't know them.
So many struggled so that all of us could have a voice in this great democracy and live up to the first three words of our constitution: We the people. I love that phrase so much. Throughout our country's history, we've expanded the meaning of that phrase to include more and more of us. That's what it means to move forward.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Childhood is like a mirror, which reflects in afterlife the images first presented to it. The first thing continues forever with the child. The first joy, the first sorrow, the first success, the first failure, the first achievement, the first misadventure, paint the foreground of his life.
According to the classic liberal-arts ideal, learning promises liberation, but it is not liberation from demanding moral ideals and social norms, or liberation to act on our desires-it is, rather, liberation from slavery to those desires, from slavery to self.
I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
I have had, like most women, a lifelong preoccupation with my weight. My first published short story was a love story between an elderly man and a very young morbidity obese woman.
For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.
From the very beginning Europe has been not only a success story but also a story of success achieved by learning.
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