A Quote by Jeanne Moreau
Characters who are on screen from start to finish are not necessarily the ones who have the greatest impact.
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Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important.
It's to find out if you're going to be a writer or not, because that's one of the most important lessons.
Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
Science is going to build a base on the Moon! This is a very necessary and a very possible mission! Start and finish! Thousands of problems will arise in this mission, thousands of solutions will be found! Start and finish! Moon is a good hole to enter the blood vessels of the universe. Start and finish!
Writing is not what you start. It's not even what you finish. It's what you start, finish, and put out there for the world to see.
You always have to finish what you start and I learned that some of life's greatest lessons come with disappointment.
One of the greatest challenges companies face in adjusting to the impact of social media, is knowing where to start.
In the film industry, you are fictitious, just like the characters you play. It has a lot do with a perception about you, and not necessarily you. You are successful because people like that image of you on screen.
What attracts me to material are characters that I know - characters that I know people don't know but I know - and bringing them to the screen. Spotlighting voices that have not been heard before on screen.
When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor.
My only focus after I start the putter away from the ball is keeping the back of my left wrist as fat as possible from start to finish. This is critical to keeping the putterhead and ball moving straight down the target line after impact. It's also how Rory Mcllroy squares his putterface, and obviously it works for him.
To be honest, I don't think of any of my characters as minor characters - they're all the main characters in a story that I don't necessarily get to tell.
What attracted me to acting, from the start, was playing different characters. I'm not a massive fan of just playing myself on screen.
An actor's off-screen persona should never overshadow his on-screen characters.
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
The representation of gay characters on screen is important for us all to think about because there are sadly too few representations of gay characters on screen in mainstream cinema. If Marvel starts making movies about gay superheroes, then we'll be in a really great place. We're not at that place.
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