A Quote by Jeanne Moreau
When I'm acting, I'm two beings. There's the one monitoring the distance between myself and the camera, making sure I hit my marks, and there is the one driven by this inner fire, this delicious fear.
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I began to draw an invisible boundary between myself and other people. No matter who I was dealing with. I maintained a set distance, carefully monitoring the person’s attitude so that they wouldn’t get any closer. I didn’t easily swallow what other people told me. My only passions were books and music
The competition between human beings destroys with cold and diabolic brutality... Under the pressure of this competitive fury we have not only forgotten what is useful to humanity as a whole, but even that which is good and advantageous to the individual. [...] One asks, which is more damaging to modern humanity: the thirst for money or consuming haste... in either case, fear plays a very important role: the fear of being overtaken by one's competitors, the fear of becoming poor, the fear of making wrong decisions or the fear of not being up to snuff...
Whenever I'm faced with a difficult decision, I ask myself, 'What would I do if I weren't afraid of making a mistake? Feeling rejected? looking foolish? Or being alone?' I know for sure that when you remove the fear, the answer that you've been searching for comes into focus and as you walk into your fear, you should know for sure that your deepest struggle can, if you're willing and open, produce your greatest strength.
I wasn't driven to acting by any inner compulsion. I was running away from the sporting goods business.
I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?
One who loves must learn fear. One who fears must learn love. The thinker must do. The doer must think. The pacifist must fight, the fighter must find peace. If you flow as a river, burn as a fire. If you burn as a furnace, flow as a river. If you fly as a bird, sit firm as a rock. If you sit firmly, then fly as a bird. Be a fire that flows. A rock that flies. Love with fear and fear with love. For we are not fire, not water, not air, not rocks, not thoughts, not deeds, not fear, not love. We are G-dly beings.
My path to poetry was slow and meandering. When I eventually found my way to graduate school at 29, making a life as a poet seemed like a bohemian fantasy. But maybe my zigzagging trajectory is just an excuse for tardiness, when fear is really the root of any reason I might give. My perfectionism and pace are certainly driven by fear that a poem is imperfect or incomplete. More significantly, my struggle to fully dedicate myself to poetry was a fear of failure.
'The Distance' is the most visceral for me because I was in a long-distance relationship for two years, and that wears on you for sure, whether you're in the industry or not, traveling and trying to get to that other person.
You just have to learn certain technical things, like where the camera is, not to block people's light in your own, to hit your marks, and that you do it kind of piecemeal.
As soon as the boss decides he wants his workers to do something, he has two problems: making them do it and monitoring what they do.
With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set.
It cannot be, because the way man has treated woman has been basically wrong. Only between two equal persons is there a possibility of relationship, because fear is not there - one can be open, one can be true, one can be honest. Only between two equal persons, when there is no fear, is there love. Love arises when fear has left you. When fear is there, love cannot enter: they are never together.
The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
Difficult is a far cry from impossible. The distance between these two lies hope. Hope and fear cannot occupy the same space at the same time. Invite one to stay.
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