A Quote by Jeanne Moreau

When you live under the power of terror and segregation, you can't ever start a work of art. — © Jeanne Moreau
When you live under the power of terror and segregation, you can't ever start a work of art.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow, segregation forever.
No divine terror will ever be found in the work of the man who wastes a colossal strength in elaborating toys; for the first lesson that terror is sent to teach us is, the value of the human soul, and the shortness of mortal time.
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
By explaining the difference between segregation and separation. Segregation is that which is forced upon an inferior by a superior. Separation is done voluntarily by two equals. If I have children and they live in my house, I care for them, they're dependent upon me. And their dependence upon me puts me in a position to regulate their lives, control their lives, tell them where to go, where they can't go. That's a form of segregation.
I hate to sound like a romantic adolescent, but I believe artists don't generally see art as a career choice; they simply can't overcome their desire to make art, and will live on little income for as long as they have to, before they start to sell their work - or give up and get a paying job.
He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind. There was only one thing that power could not do: it could not make him able to smell himself.
Segregation now, segregation tomorrow and segregation forever!
Secrets can actually be quite important. A work of art that reveals its meaning or its power too quickly is uninteresting. It might not even be a good work of art.
My father says that those who want power and get it live in terror of losing it. That's why we have to give power to those who do not want it.
My parents, who grew up in terror and dealt with segregation and humiliation, nonetheless taught us to be hopeful and open and loving and not hateful toward anyone.
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
I work in the field of art, and you know how during a period of Marxist ideology, fewer people are inclined to believe in the power of the culture as a whole: they believe in the revolutionary potential of economics, class struggle theory.. ..Therefore it's time to show that art means the power of creativity, and it's time to define art in a larger way, to include science and religion too..(1973
There is no good terror and bad terror. Terror is terror. There's not terror that you can accept and terror that you cannot accept. Terror is terror. Murder is murder.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
No art that is not in the end understood by the People can live or ever did live a single generation.
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