A Quote by Jeannette Rankin

I worked for suffrage for years, and got it. I've worked for peace for 55 years and haven't come close. — © Jeannette Rankin
I worked for suffrage for years, and got it. I've worked for peace for 55 years and haven't come close.
I worked at CNN for almost 26 years. I worked in Mutual Radio for 20 years. I've been in the business 57 years. I have never seen a bias off the air or on.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
After working for years, in the end days, people realize its peace for what they have worked for all those years by loosing the peace.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.
I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.
I come from a humble background. My dad moved to London 45 years ago and worked as a bus conductor whereas my mother worked in a factory. We never had it easy.
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'
I've known Harvey for over 40 years and I worked with him on the Burnett show for 11 years. I guess you could say we're about as close as you can get to being a comedy team.
I played, but I never got a chance to see how the business worked. How the NBA offices and other teams worked. I learned that when I was an assistant General Manager for five years.
I've worked for 55 years. I'm going to take a little time off, to tell you the truth. It's just that now in the last couple of weeks, Gelman is pouring it on. 'Farewell to Regis!' It's getting embarrassing.
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
I had always dared to dream large, but even this black kid~ez_rsquo~s imagination could not have come close to inventing the storybook success that I have enjoyed in the nearly thirty years I`ve worked in this medium I adore.
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