A Quote by Jeannette Walls
I feel like 'Alice Through the Looking Glass.'
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Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.
Looking through the atmosphere is somewhat like looking through a piece of old, stained glass. The glass has defects in it, so the image is blurred from that.
To the Looking-Glass world it was Alice that said 'I've a sceptre in hand, I've a crown on my head. Let the Looking-Glass creatures, whatever they be, Come and dine with the Red Queen, the White Queen, and me.
'Finnegans Wake,' 'Alice and Wonderland' and 'Through the Looking Glass' live on my bedside table back home in London.
'Alice' is effectively a story about a game of cards. 'Through the Looking Glass' is a story of chess.
Suddenly, the world I had scrutinised for so long was all around me, as if I had leaned forward and climbed into the television like Alice through the looking-glass. I had no idea just how deep the rabbit hole would go.
Ironically, it was only maybe a year prior to Tim calling I had re-read Alice in Wonderland and Through the Looking Glass, and what I took away from it was these very strange, little cryptic nuggets that he'd thrown in there.
When I was a child, my father would read out loud to my brother, my mother, and me. Several times in the course of my childhood, he would read 'Alice and Wonderland' and 'Through the Looking Glass' over a few weeks. They were a great favorite with all of us.
My parents had come from Mexico, a short road in my imagination. I felt myself as coming from a caramelized planet, an upside-down planet, pineapple-cratered. Though I was born here, I came from the other side of the looking glass, as did Alice, though not alone like Alice. Downtown I saw lots of brown people. Old men on benches. Winks from Filipinos. Sikhs who worked in the fields were the most mysterious brown men, their heads wrapped in turbans. They were the rose men. They looked like roses.
Alice in Wonderland Syndrome. This is a mental illness. It is like looking through the wrong end of a pair of binoculars. It is as if you are living in a fantasy world of a fable. This is an interesting and sad syndrome. I’m sure that I have that syndrome. If it’s not it, then why the heck does my every moment with the ordinary girl feel like a fable?
In the U.S., everything is big - it's like looking through a magnifying glass.
We live in a glass-soaked civilization, but as for the bird in the Chinese proverb who finds it so difficult to discover air, the substance is almost invisible to us. To use a metaphor drawn from glass, it may be revealing for us to re-focus, to stop looking through glass, and let our eyes dwell on it for a moment to contemplate its wonder.
Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
The space that we're looking through is nine-dimensional. If you build a mathematical model, the amount of searching that we've done in 50 years is equivalent to scooping one 8-ounce glass out of the Earth's ocean, looking and seeing if you caught a fish. No, no fish in that glass? Well, I don't think you're going to conclude that there are no fish in the ocean. You just haven't searched very well yet. That's where we are.
You can wet the rim of a glass and run your finger around the rim and it will make a sound. This is what I feel like: this sound of glass. I feel like the word shatter. I want to be with someone.
'Alice in Wonderland' has been done a million times; why do it again? Nerve's answer is that Alice is Everyman and Everywoman, going through the stages of life.
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