A Quote by Jed Mercurio
There aren't a lot of political dramas on TV, and those that are tend to be American.
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We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.
In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
I watch a lot of TV dramas.
We don't see a lot of LGBTQ representation in period dramas because there was so much shame around it at the time. The stories that we tell about that time don't tend to focus explicitly on those sorts of characters, which is nonsense because they existed.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
I'd say it's okay to be political and to be a writer. Those streams can be separate, and they can be connected; for me, they're both. Life is political, and I'm interested in my community and in a lot of issues - some of them American, some global.
American TV news is much more sophisticated. I think that American TV networks, it looks like, they invest a lot into news.
Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
I watched a lot of American TV, all those repeats of 'Star Trek,' 'Fantasy Island,' 'M*A*S*H,' 'Lost in Space.' All that stuff was the fodder of my childhood.
I think that the dramas that you find in TV are actually a lot more interesting, typically, than what you find in cinema.
The whole world knows that American TV companies have monopolized Olympic broadcasts and in order to please the fans in their country they do everything they can to keep American viewers interested in what is going on at the hockey rink in Sochi. According to their logic, Americans should always win, no matter what. It was absolutely obvious that [Fyodor] Tyutin's goal yesterday should have been allowed. This was clear to the whole world except the American referee, American TV and those officials with American passports who rule international hockey, grossly neglecting all Olympic principles.
I watched a lot of soap operas, when I was growing up, and a lot of those great serialized soap dramas.
The functional freedom that anybody can buy a gun and go out and murder a lot of people at a McDonald's is prevalent, yes. But through the effects of TV and interactive video systems and so forth, we'll also have the freedom to pretend to be a mass murderer for the evening. I've seen descriptions of advanced TV systems in which a simulation of reality is computer controlledthe TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to ?ction created by others, but an active participant in your own fantasies/dramas.
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
The people who started the American government, the founders of the Constitution, didn't like political parties but they were forced to start them. Nobody ever created political parties in England, they evolved. And there do tend to be two general tendencies that focus around how much government you think you need.
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