A Quote by Jed Mercurio

There's a classic medical aphorism: 'Listen to the patient; they're telling you the diagnosis.' Actually, a lot of patients are just telling you a lot of rubbish, and you have to stop them and ask the pertinent questions. But, yes, in both drama and medicine, isolated facts can accumulate to create the narrative.
Listen to your patient, he is telling you the diagnosis.
I'm not very interested in telling the facts. I have a lot of investment in telling the truth.
For me, I think that there's a lot missing from the recovery or the post-diagnosis side of treating patients. Once the diagnosis is made, I feel that care drops off tremendously, even though it is precisely the time that a patient needs help the most, even if they are not verbalizing it.
I tell residents, if you gave me two patients with identical problems, and one of them had family at the bedside with a lot of laughter, plus photos and a quilt from home, and next door was another patient who was alone every time I came by - I'm going to be very nervous about the isolated patient's mental status.
The freedom of patient speech is necessary if the doctor is to get clues about the medical enigma before him. If the patient is inhibited, or cut off prematurely, or constrained into one path of discussion, then the doctor may not be told something vital. Observers have noted that, on average, physicians interrupt patients within eighteen seconds of when they begin telling their story.
Sandeep Jauhar specializes in peeling back the veneer, revealing the discomfiting truths of today’s medical world. He is unafraid to dig deeply and honestly, both within himself and within the medical profession. Doctored raises critical questions that twenty-first-century medicine must answer if it is to meet the needs of its patients as well as of its practitioners.
You have to say no to a lot of people and when a lot of people are telling you what you're doing is a bit rubbish you just have to have the courage to say 'no it isn't' and believe in it.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
Postpartum depression is very, very common but a lot of people just don't recognize that they have it. A lot of physicians also don't ask (patients) about it, so it's a problem from both sides.
I just knew I loved music, and I wanted to do something in music, but I couldn't sing, I can't dance, I am an introvert. So I was like, 'What exactly is there for me to do? What can I do?' There's all these questions, there's all these things that are telling you 'no' instead of 'yes.' Those are the things I dealt a lot with, my insecurity.
In our 'don't just sit there, do something' culture, when we get sick we are supposed to become characters in a heroic medical narrative that conceals the remorselessness of pathology, the intractable fact of human vulnerability, and the inevitable inadequacies of medicine. To many of the participants in the medical drama, aggressive treatment - even when it fails - represents a quasi-religious quest for immortality and meaning.
It was a lie but he believed in telling lies to people. Truth telling and medicine just didn't go together except in dire emergencies, if then.
So many reporters ask a lot of crazy questions. The answers to most of these questions are so obvious, but they ask them anyway just to see what kind of reaction they can get out of you.
The physicians of one class feel the patients and go away, merely prescribing medicine. As they leave the room they simply ask the patient to take the medicine. They are the poorest class of physicians.
Every man is different. You can't generalize with men; you have to find out what your man wants. You have to listen to him when he's telling you what he wants, because a lot of times they're telling you, but you're not listening.
One of the first things we teach medical students is to listen to the patient by taking a careful medical history. Ninety percent of the time, you can arrive at an uncannily accurate diagnosis by paying close attention, using physical examination and sophisticated lab test to confirm your hunch (and to increase the bill to the insurance company).
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