A Quote by Jed Mercurio

For something like 'Line of Duty' to work, it has to be both plausible and unexpected. — © Jed Mercurio
For something like 'Line of Duty' to work, it has to be both plausible and unexpected.
[In the case of research director, Willis R. Whitney, whose style was to give talented investigators as much freedom as possible, you may define "serendipity" as] the art of profiting from unexpected occurrences. When you do things in that way you get unexpected results. Then you do something else and you get unexpected results in another line, and you do that on a third line and then all of a sudden you see that one of these lines has something to do with the other. Then you make a discovery that you never could have made by going on a direct road.
When you are in the line of your duty, it is like standing in front of a line of posts, and every post is in line. But step one step aside, and every post looks as though it were not quite in line. The farther you get away from that straight line, the more crooked the posts will appear. It is the straight and narrow path of duty that will lead you and me back to the presence of God.
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
In real constabularies, the relevant department that is the subject of 'Line of Duty' is called Professional Standards. However, 'Line of Duty' is set in a fictional anticorruption department, AC-12, in order to prevent any unintentional resemblance to actual units, cases, or individuals.
When something like 'Line of Duty' happens, your profile is such that you're asked to do different things. I'm careful not to spread myself too thinly or it just goes mad.
The only formula we have when we work together is that we both have to have a product we can endorse when we finish. Something we both like. It's a matter of compromise. In the end what you get is what both of us can agree on. In that comes Tears for Fears. I don't know what the mix or magic is, that's just what it is.
I would like to work with my mate Gary Oldman again. I think Gary would be an interesting person to bring into 'Line Of Duty.'
We are being tough in saying it is a duty on the unemployed in future not only to be available for work - and not to shirk work - but also to get the skills for work. That is a new duty we are introducing.
You could take up the line that some of the gnostics took up - a line which I often thought was a very plausible one - that as a matter of fact this world that we know was made by the devil at a moment when God was not looking. There is a good deal to be said for that, and I am not concerned to refute it.
I think the scripts for 'Line of Duty' and 'Blood' are both asking the audience to get involved in speculating as to what is going to happen next, or what should be happening next.
Unbeknownst to me, two readers of the posts, both published authors, contacted their agent, Bill Jensen, within 24 hours of each other, encouraging him to drop me a line. Which he did. He shared his extensive publishing background with me, and prayerfully offered to work out a proposal and to see if God opened any publishing doors? I never get over the unexpected ways of God.
Colleges have a twofold duty when it comes to dealing with censorship. First, there is the duty to not censor the free expression of ideas, especially important and newsworthy ones. Second, colleges have the duty to protect speakers from being silenced by others. Century has failed miserably on both counts.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
No doubt there are some who, when confronted with a line of mathematical symbols, however simply presented, can only see the face of a stern parent or teacher who tried to force into them a non-comprehending parrot-like apparent competence--a duty and a duty alone--and no hint of magic or beauty of the subject might be allowed to come through.
I like to tell myself that truth is in the irregularity and the unexpected, and I try to look for both.
As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
This site uses cookies to ensure you get the best experience. More info...
Got it!