A Quote by Jed Mercurio
I love writing thrillers.
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It's the comedies and thrillers that are successful. People love horror, but in thrillers. Once you speak of pain and suffering it's a different matter.
I think, primarily, we love spy thrillers, and I think, instinctively, we love the tension that those thrillers can bring.
My favorite types of movies to watch as a viewer are thrillers - I really have a soft spot for them, I love them. Especially psychological thrillers.
In love stories you have to establish the mood and then you can go on. Writing thrillers are difficult because every scene needs a twist. May be comedy is even more difficult but I have no experience of it.
I like thrillers. My style of movies are closer to thrillers.
I love fantasy. I love thrillers. I love action. I'm all over the place. As long as the story and characters are good, I'll love it.
I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.
I like lassic British spy thrillers. Seriously. If the cold war was still on, that's something I'd be writing.
Only three or four thrillers are made in Hindi cinema in a year. There is a fascination for crime genre but producers think thrillers don't have that much of a market or will not get picked up for satellite rights.
I used to be one of those people who read thrillers on vacation, but for some reason most thrillers no longer thrill me. Maybe because these days reality is far more unbelievable than any fiction?
I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
Truly I never thought of myself as writing legal thrillers, and I still don't think I do. I write stories about women.
I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.'
I don't like writing straight-up thrillers. I like writing about families hurled into crisis and danger - soccer moms and regular dads and husbands who might have to rescue their daughters or who are, say, hedge fund managers and have one foot on the sidelines watching their kids and the other in nefarious cover-ups and conspiracies.
The industry is in an alarming condition. And we only have ourselves to blame. If one thriller runs, we all run to make thrillers. What about the dozen thrillers that flopped before that? More than the herd mentality it is the ostrich mentality.
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