A Quote by Jed Mercurio

I don't normally think of a specific actor. I concentrate on the character, and then when we get into pre-production, that's how names come up. — © Jed Mercurio
I don't normally think of a specific actor. I concentrate on the character, and then when we get into pre-production, that's how names come up.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
Now, when you get a viral infection, what normally happens is it takes days or weeks for your body to fight back at full strength, and that might be too late. When you're pre-immunized, what happens is you have forces in your body pre-trained to recognize and defeat specific foes. So that's really how vaccines work.
There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
I usually have a location and then I put the character there. I love place names. I think I'm tricking myself by being so specific - it suddenly becomes real to me. Just because I say it's Chicago, Illinois doesn't mean it's true, but place names sort of make me grounded and then I can put some people there.
I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough.
As an actor for hire, my job is to do some pre-production work for myself. Then my job is to show up and give the best performance I can.
I think some people get confused between development and pre-production. In pre-production, you know all your dates.You know when you're aiming to release the film. You've got your script. You've got everything sorted.
Pre-production and post-production is something that I've never been exposed to. I was pleasantly surprised that you could accomplish a lot during pre-production.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I think the idea of fact-checking, I think the idea that you come up through a system where you know how to cover night cops, and then you go on, and you go on to various beats, including writing obituaries, and you get names right, you know how to spell them, really has some advantages to it.
You start out with scripts pre-written, with no specific actor in mind, so you've got to build a character on top of that foundation. It's not just lifting words off the page, it's constructing a history around them as well.
I just enjoy the filmmaking side of things. I feel like when you're an actor, sometimes you're in other people's hands and they're in charge of your creative life. Whereas with my production company, I'm the one that gets to make those choices for how I'm gonna spend my time and what content I'm going to be creating. I definitely learn a lot, especially about acting, by producing and directing and seeing how it all comes together, and seeing the other side of things, appreciating what goes into pre- and post-production, and all those things you don't see when you're an actor.
I think it's very natural to get nervous. I've usually got concerns about a specific thing in the opening which might worry me. I have to be relaxed and balanced emotionally and then I can concentrate on the moves during the game. Then things will be ok.
I have a notebook, and I know what decisions will be made in pre-production. Everything is pre-determined in the pre-production period. I visually design the whole thing, and I know when things will happen.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
There's pre-production, and the second part is when you start rehearsal. Pre-production was a very large learning curve for me.
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