A Quote by Jed Mercurio

I would compare my 'Frankenstein' to Cronenberg's remake of 'The Fly.' The monster in the original Fifties version of 'The Fly' was a crude, anatomical combination of man and insect, whereas Cronenberg's version exploited knowledge of DNA to depict him as a transgenic chimera.
You can't compare David Cronenberg's 'The Fly' to the older version.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
David Cronenberg's 'Maps to the Stars' is a Hollywood monster movie in which Hollywood is the monster.
The magical approach is indeed the natural approach to life's experience. It is the adult version of childhood knowledge, the human version of the animals' knowledge, the conscious version of 'unconscious' comprehension.
A big business man was telling Henry Ford about a coach driver of super-expertness with his whip. The driver was telling how he could flick a fly off his horse's ear with his whip-and, a fly alighting just then, he promptly did so. Next he spied a grasshopper beside the road, and he flicked it off with equal dexterity. A little further along the road the passenger noticed an insect on a bush, and nudged the driver to get him. Not on your life, replied the master of the whip. That there insect is a hornet sitting on his nest with an organization behind him. I leave him alone.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
David Cronenberg is the most provocative, original, and consistently excellent North American director of his generation.
But when I saw the cursive grace of Guido Rahr's fly line writing prayers I couldn't read to the river gods of Outer Mongolia, I knew my name was written there too. Fly fishing was going to be my version of my father's sport, my nod to my Scottish ancestors and to my self, and to the fish crazed part of America I had claimed as my own.
My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
I personally feel that parachute files give a more realistic impression of an insect to the fish that views the fly, since the hackles are in the same position as the insect's legs, and when tied with brightly colored hackles, these flies are easier to see on the float. A final advantage is that in rough water, a parachute-hackled dry fly will float longer and better than a conventional one
It is not necessarily impossible for human beings to fly, but it so happens that God did not give them the knowledge of how to do it. It follows, therefore, that anyone who claims that he can fly must have sought the aid of the devil. To attempt to fly is therefore sinful.
He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film.
I doubt you’ve ever been forced to nonstop bang a woman hyped up on the undead voodoo version of Spanish fly, have you?” His chuckle was soft. “Can’t say that I have, Kitten.” “Yeah, well, consider me an original.” This time, when his lips brushed across my skin, it lasted more than a moment. “I always have.
I know as well as any one, [the devil] is an adversary, whom if we resist, he will fly from us--but I seldom resist him at all; from a terror, that though I may conquer, I may still get a hurt in the combat--soinstead of thinking to make him fly, I generally fly myself.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
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