A Quote by Jed Mercurio
When a critic or journalist writes, 'It's too complex,' or, 'It's full of plot holes,' they very rarely take the step of identifying what they mean. The reason they do that is to protect themselves, because they don't want to reveal that they may have misunderstood or missed something.
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I get a very vague idea and - perhaps because I once was a journalist, or perhaps because that's what made me want to be a journalist - I go off and explore it for a bit, rather than mapping out a plot and then filling in the research.
Still, there may be technologies that are very useful in identifying people over the age of 18 because they have all kinds of identifying characteristics, while those same tech may be useless for 12- and 13-year-olds.
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
I think nobody since has written such extraordinary work as Shakespeare writes. The characters he writes are full of inconsistencies, which is a great human quality - I mean we're all very inconsistent in the way we behave.
I think nobody since has written such extraordinary work as Shakespeare writes. The characters he writes are full of inconsistencies, which is a great human quality - I mean, we're all very inconsistent in the way we behave.
Bureaucrats want you to think that the system is too complex because they want you to be stupid about it and uninterested in it. They work very hard to create as many levels as possible away from the simplistic government our Founding Fathers formed for one simple reason: they don't want you to know what they are doing.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
I realized I couldn't be a journalist because I like to take a side, to have an opinion and a point a view; I liked to step across the imaginary boundary of the objective view that the journalist is supposed to have and be involved.
Just because someone may or may not have someone that writes some words for them doesn't mean that, A, they don't have to kill it on the performance, and, B, they don't have to have the ear for what's tight and what's not, which is something a lot of people don't have.
I don't hate too many guys. What I may do, I may hate them for a little while, like this guy Stradlater I knew at Pencey, and this other boy, Robert Ackley. I hate them once in a while—I admit it—but it doesn't last too long, is what I mean. After a while, if I didn't see them, if they didn't come in the room, or if I didn't see them in the dining room for a couple of meals, I sort of missed them. I mean I sort of missed them.
To see the universe as it is, you must step beyond the net [the matrix]. It is not hard to do so, as the net is full of holes. Look at the net and its many contradictions. You do and undo at every step. You want peace, love and happiness, and work hard to create pain, hatred and war. You want longevity and you overeat. You want friendship and you exploit. See your net as made of such contradictions and remove them - your very seeing them will make them go away.
Don't you think it's something strange that you rarely look at yourself in the mirror, except to do things like stand and ponder? I mean, in Shakespeare's day, it was thought that the mirror would reveal something, that it is trying to tell you something - not just to tidy your hair, but something more.
Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.
I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.
Afghan society is very complex, and Afghanistan has a very complex culture. Part of the reason it has remained unknown is because of this complexity.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
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