A Quote by Jeet Gannguli

I consider my music edgy, urban and with an earthy element. — © Jeet Gannguli
I consider my music edgy, urban and with an earthy element.
My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.
I've become so earthy. And I never was earthy. I'm doing all kinds of different roles which are not at all like the intellectual and the legal mind of Ben Stone.
I'm not going to do anything crazy, but I want to do music that I'm passionate about. I'm finally at an age where I can do the music that I grew up loving, which was urban pop, '90s music. I grew up listening to the divas, so I'm very happy to finally do urban pop. I hope that it's received well, and it has been so far.
I have never doubted the importance of melody. I like melody very much, and I consider it the most important element in music, and I labour many years on the improvement of its quality in my compositions.
Every place has its own challenges. In Canada, we have blessings like grants, but we also have curses in the sense that when you start to do more urban classified music, we no longer have a single urban radio station left.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
We were talking about urban youth. And by urban I mean lives in a city not urban as in black like white people use it.
Opera is the original marriage of words and music, and there's a theatre element, a dramatic element. It's right up my alley.
Any time you try to be edgy just for the sake of being edgy, that's the worst way.
Describing yourself as edgy is one of the least edgy things a person can do.
Polyphonic painting is superior to music in that there, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.
I'm not interested in doing something edgy with a capital E just so everyone knows, 'Oh, OK, now he's showing us he can do edgy.'
All winners are edgy. Guys that are pushing themselves are edgy. It's the old saying we have in Kentucky: I'd rather have a guy I have to say whoa to, than giddyup.
Roger Miller opened a lot of people's eyes to the possibilities of country music, and it's making more impact now because it's earthy material: stories and things that happen to everyday people. I call it 'people music.'
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
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