A Quote by Jeet Gannguli

Singers who are dependent on digital audio pitch correction software cannot last more than two-three songs. — © Jeet Gannguli
Singers who are dependent on digital audio pitch correction software cannot last more than two-three songs.
From a technical point of view, there seemed to me to be absolutely no reason why - with the existing technology - we couldn't do very high quality audio, because whereas the boom in digital graphics is ongoing, the boom in digital audio has already happened.
Analog sounds so much better. I frankly can't listen to digital audio for more than a few hours without really starting to hate what I'm listening to. Even decent 24-bit digital resolution really irritates me after a while.
All you need in a successful boyband is two great singers and three okay singers and you get can away with it.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.
Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.
I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
The thing that I love about television there are no more than two or three people watching you at a time. If there are more than two or three people in a room they're talking to each other, they're not listening to you.
I suffered, I really suffered, with all three of my husbands. And I tried damn hard with all three, starting each marriage certain that it was going to last until the end of my life. Yet none of them lasted more than a year or two.
I'm the kind of cat that can finish three songs in a day. Two or three songs in a day. If my voice is up to it and I feel up to it, I can finish two or three songs in a day.
Technical players make the game easy. They have a view of the pitch different from other players. They put the last pass for the strikers. They are the players that lose two or three balls in a year.
I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.
It's harder to make real audio than special effects audio.
We write constantly. It's nice to have more to pick from and we pitch songs to other artists, so it's not always songs for us.
For my true thoughts have spent more time in your company than in anyone else's, these last two or three months, and where my thoughts are, there am I, in truth".
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