A Quote by Jeet Gannguli

My father, Kali Gannguli, is an arranger, composer and accordion player who has worked with Salilda whose songs I had grown up hearing. — © Jeet Gannguli
My father, Kali Gannguli, is an arranger, composer and accordion player who has worked with Salilda whose songs I had grown up hearing.
My parents had a sidewalk cafe: every Sunday there was an accordion player and apparently I went through the motions, squeezing a shoebox. One of the regulars in 'the cafe said to my father: "I think you should get your son an accordion-that's what he's trying to do, with that shoebox." So they got me a little cardboard diatonic accordion-I still have it. I started to play the National Anthem, and things like that. It seems I was musically gifted-but my parents just never pushed in that direction.
[We need] someone like Don Sickler, who is an amazing trumpet player and who is also a publisher and amazing producer and composer and arranger. There's a lot of ways you can make a contribution.
During the four years I had spent in New York, I had achieved top status as a model and had worked for the best photographers and designers in the world. I had grown used to hearing that I was exotic and high-fashion.
I knew a gentleman that I had worked with over the years, who is no longer with us, and was a great influence in my life named Cachao - a Cuban musician, composer, arranger, and creator of the Mambo. The integrity of the journey is what's important - how you conduct yourself in the process. That's what Cachao was always about. He had great integrity, great dignity, was very humble, and dedicated to his art.
I had grown up in a privileged, upper-caste Hindu community; and because my father worked for a Catholic hospital, we lived in a prosperous Christian neighborhood.
I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
Carlos Sosa, the saxophone player for Zac Brown Band, and I worked up two songs for 'When You're Feeling Sick.' They were a blast to work on. The songs are real upbeat and silly.
Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.
I am sure that, had I grown up with both parents, had I grown up in a safe environment, had I grown up with a feeling of safety rather than danger, I would not be the way I am.
It's understanding the intention of a composer that allows a producer and an arranger to make those moments speak
It's understanding the intention of a composer that allows a producer and an arranger to make those moments speak.
I cut my teeth playing rock songs on the accordion when I was a teenager and my friends always thought that was extremely amusing. I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny. So that was a joke that I continue up to this very day.
My mother was an opera singer and my father is a clarinet player, composer and conductor.
Do you know that my very first experience as a composer was a 'Concerto for Accordion?'
Do you know that my very first experience as a composer was a 'Concerto for Accordion?
Bill Justis was a saxophone player, good musician, arranger, and friend of mine who had a big hit called Raunchy.
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